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High Museum of Art

The High Museum of Art , founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Robert G. Workman, executive director of Crystal Bridges Museum of American Art, discusses the planning, organization, construction, and implementation of the new museum project. Founded by Alice Walton, Crystal Bridges is envisioned as a premier national art institution dedicated to American art and artists. Under construction in Bentonville, AR, the museum complex encompasses approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. This lecture, *Creating a Sense of Place: Art, Architecture and Nature at Crystal Bridges Museum of American Art*, inaugurates the High Museum's Margaret and Terry Stent Distinguished Lecture Series.
    Partner:
    High Museum of Art
  • Independent scholar Lisa Kurzner discusses Alfred Stieglitz's photographs of artist Georgia O'Keeffe. Educated in Berlin, Stieglitz studied engineering and photography before returning to the US at the turn of the century and opening the 291 gallery. He pioneered the art of photography, and single-handedly introduced America to the works of Picasso, Matisse, and Cezanne at the gallery. Stieglitz took more than 300 portraits of O'Keeffe between 1918 and 1937. Most of the more erotic poses would be in the first few years of their marriage.
    Partner:
    High Museum of Art
  • Artists Adam Pendleton, Nadine Robinson, Jefferson Pinder, Jeffrey Grove, and Hank Willis Thomas, along with Kenya Evans and Jabari Anderson of Otabenga Jones & Associates, discuss their participation in the exhibit *After 1968: Contemporary Artists and the Civil Rights Legacy*. The exhibit and their art reconsider the pivotal time in American history and explores its relevancy to and influence on a new generation.
    Partner:
    High Museum of Art
  • Artist, educator, historian, curator, and humanitarian David C. Driskell talks about his southern upbringing, his education in at Howard and Catholic Universities, and the many people with whom his life has intersected. He discusses artists Romare Bearden and Jacob Lawrence, and how they helped to set the stage for Driskell's remarkably productive and influential life.
    Partner:
    High Museum of Art
  • Photography expert Lisa Kurzner leads a discussion on *Through the Spyglass: Politics and Play in Street Photography, 1960 to the Present*. The conversation covers the history of street photography and its place in the political landscape of the Vietnam era. Kurzner discusses Garry Winogrand, Susan Meiselas and Danny Lyon, as well as ideas of surveillance and voyeurism in photography.
    Partner:
    High Museum of Art
  • Eric Vigner, Isma'il Ibn Conner, and Del Hamilton discuss the US Koltes Project, a 10 year undertaking created in order to translate and produce six of Bernard-Marie Koltes' plays, and continue the artistic legacy of the French playwright.
    Partner:
    High Museum of Art
  • Julia Forbes, head of museum interpretation for the High Museum of Art, shares a glimpse into *The First Emperor: The Terracotta Army of China*, an exhibition inspired by one of the greatest archaeological discoveries of the 20th century. The exhibition represents one of the largest groups of works relating to the First Emperor ever to be loaned to the US by the Museum of the Terracotta Army and the Cultural Relics Bureau of Shaanxi Province in Xian, China. This event is hosted by The Englishman Gallery of Atlanta and the Culture Club.
    Partner:
    High Museum of Art
  • Abstract artist Jack Whitten paints a verbal picture of his memorial art, in talking with Stuart Horodner, curator of the Atlanta Contemporary Art Center. For the past 40 years, New York-based painter Jack Whitten has created elaborately constructed abstract paintings, which are conceived to memorialize various cultural figures (artists, musicians, dancers, politicians, writers), family members, and tragic events that have shaped his life. Whitten has studied the historical impulses behind the honoring of the dead (in various cultures through time) and he has developed a contribution to the notion of abstraction and representation.
    Partner:
    High Museum of Art
  • Stephane Martin, director of the newly reopened Quai Branly Museum, discusses the Paris facility. It is called an ethnographic museum, providing possibilities to put on display numerous works and the cultures from which they come. The museum includes a study and research center, library, theater, and concert hall.
    Partner:
    High Museum of Art
  • Gregory Heisler, award winning photographer, discusses Arnold Newman and the impact that he and his work have had on photography. Heisler is a commercial photographer with 70 *Time* magazine covers to his credit. This event is presented in collaboration with Atlanta Celebrates Photography.
    Partner:
    High Museum of Art