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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Dr. Richard J. Powell discusses his new book, *Cutting a Figure: Fashioning Black Portraiture*. He examines the distinctive nature of modern and contemporary portraits of people of African descent. He shows that these images can be viewed as a category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds.
    Partner:
    High Museum of Art
  • Artist Jennie C. Jones talks about the connections between abstract painting, the color of birds, jazz and Blue Note LP cover designs. Her recent installation at the Atlanta Contemporary Art Center is a tribute to the influence of his formal aesthetic filtered through issues of ethnicity.
    Partner:
    High Museum of Art
  • Dwight Andrews, noted musician and scholar, discusses what makes a jazz masterpiece. In every discipline of western art, certain works have been deemed emblematic of an era, a style, or an artist. How is a canon established within the art world? What is a jazz masterpiece? Is there a jazz canon? Andrews handles these and other questions in a multi-media presentation.
    Partner:
    High Museum of Art
  • Ann Dumas, a leading independent scholar on Impressionism, talks about the Impressionists dialogue with the art of the past. The popular view of Impressionism is that it broke completely from the artistic traditions of previous centuries. In truth, the Impressionists copied the Old Masters and transformed their motifs and compositions into something completely new.
    Partner:
    High Museum of Art
  • Jenna Madison gives an in-depth view on the background of French Impressionist Camille Pissarro's painting, *The Maidservant*.
    Partner:
    High Museum of Art
  • David Brenneman, director of collections and exhibitions at Atlanta's High Museum of Art, draws comparisons between Monet's work and the masters of the Dutch landscape tradition, as well as other Old Master traditions. Monet claimed that he was never influenced by the Old Masters; instead, his inspiration came from his own experiences. However, it is clear that he was inspired by the atmospheric expanses of sky and reflections in the surfaces of water depicted in 17th century Dutch landscapes.
    Partner:
    High Museum of Art
  • Julia Forbes lends her expertise to a close-up look at Edgar Degas' *Visit to the Museum*.
    Partner:
    High Museum of Art
  • Philip Verre discusses *The Tiber*, on loan to Atlanta's High Museum of Art from the Louvre in Paris. The colossal, 10-foot-long sculpture by an unknown artist is one of the largest in the Louvre's collections.
    Partner:
    High Museum of Art
  • Robert G. Workman, executive director of Crystal Bridges Museum of American Art, discusses the planning, organization, construction, and implementation of the new museum project. Founded by Alice Walton, Crystal Bridges is envisioned as a premier national art institution dedicated to American art and artists. Under construction in Bentonville, AR, the museum complex encompasses approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. This lecture, *Creating a Sense of Place: Art, Architecture and Nature at Crystal Bridges Museum of American Art*, inaugurates the High Museum's Margaret and Terry Stent Distinguished Lecture Series.
    Partner:
    High Museum of Art
  • Independent scholar Lisa Kurzner discusses Alfred Stieglitz's photographs of artist Georgia O'Keeffe. Educated in Berlin, Stieglitz studied engineering and photography before returning to the US at the turn of the century and opening the 291 gallery. He pioneered the art of photography, and single-handedly introduced America to the works of Picasso, Matisse, and Cezanne at the gallery. Stieglitz took more than 300 portraits of O'Keeffe between 1918 and 1937. Most of the more erotic poses would be in the first few years of their marriage.
    Partner:
    High Museum of Art