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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

Role of the Academy and in American Art

Tue, Mar 29, 2005

The traditional art academies, first founded in Europe beginning in the late 17th century and in the United States just after the year 1800, played a vital role in the lives and careers of artists over three hundred years. Because they typically made drawing the basis for all art training and taught it under fairly strict control, academies fell from favor with the advent of modern art in the twentieth century. In the late twentieth century, however, and now into the twenty-first, more artists are paying attention to craft, and the practice of careful drawing is enjoying a huge resurgence. More and more artists are producing representational work, drawn and painted in a new, classically realistic style. In conjunction with the exhibition *Powerline: The Art of Leo Dee*, David Dearinger delivers an illustrated lecture about the role the formal art academy played in the development of American art. He will pay special attention to the history of one of the most important and enduring of these academies in this country: the National Academy of Design in New York, at Brooklyn College, Hunter College and for many years, at the Fashion Institute of Technology. The Academy was founded in 1826, has hosted a lively art school, and has held annual exhibitions of contemporary American Art, almost without interruption, since its foundation. Dr. Dearinger reviews the history of the National Academy, discusses its important collection of American paintings and sculptures, and describes the role it played in the formation of both American artists and American art critics. David Dearinger is Susan Morse Hilles curator of paintings and cculpture at the Boston Athenaeum. An art historian and curator, he received his PhD from the Graduate Center of the City University of New York, with a specialty in nineteenth-century American art. He taught art history in New York at Brooklyn College, Hunter College and, for many years, at the Fashion Institute of Technology. Before coming to Boston, he was chief curator at the National Academy of Design in New York. He has published and lectured widely on the history of American painting and sculpture.

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Unnoticed: Secret Life of Type Faces

Thu, Apr 28, 2005

Richard Wendorf explores the nature and history of the type faces by which we live, ranging from Roman capitals to the experimentation of William Morris at the Kelmscott Press. Typography is something that we encounter every day of our lives; it is one of the most pervasive elements in an entire spectrum of human activities. And yet typography is usually invisible or barely noticed; it is supposed to be transparent; it is not supposed to draw attention to itself. *The Secret Life of Type* is one of 10 essays collected together in Richard Wendorf's new book *The Scholar-Librarian: Books, Libraries, and the Visual Arts*, published by Oak Knoll Press and the Boston Athenaeum.

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Emma at Home: Lady Hamilton and Her "Attitudes"

Thu, Mar 31, 2005

John Wilton-Ely lectures on the effervescent and much celebrated performance artist, Lady Emma Hamilton, whose "attitudes" made her a phenomenon all across 18th century Europe. This lecture is presented in conjunction with the Royal Oak Foundation.

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Stewart O'Nan's The Good Wife

Thu, Apr 7, 2005

Stewart O'Nan, author of The Speed Queen and A Prayer for the Dying, discusses his newest novel, The Good Wife. On a clear winter night in upstate New York, two young men break into a house believing it is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It is her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins. At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration as she raises her son, navigates a system that has no place for her, and braves the scorn of her community. Compassionate and unflinching, The Good Wife illuminates a marriage and a family tested to the limits of endurance.

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Seamanship: Voyage Along the Coasts of the British Isles

Thu, May 19, 2005

Writer Adam Nicholson discusses his nautical adventure around the British Isles that lead to his book, Seamanship: A Voyage Along the Wild Coasts of the British Isles In the winter of 2003, Adam Nicholson embarked on the sea voyage of his wildest imaginings. In the company of George Fairhurst, an experienced skipper with half a million sea miles under his belt, Nicholson navigated the often unforgiving coastal waters of western Ireland and Scotland, visiting the outer reaches of the British Isles. The months-long expedition on a 42-foot ketch tested their mettle, both as sailors and as men, as they faced fierce weather, fickle currents, and their own resolution and limitations. **Adam Nicholson** grew up in Sissinghurst Castle in Kent, the family home of his grandparents Vita Sackville-West and Harold Nicholson. He was educated at Eton and at Magdalene College at Cambridge. After university, he became a travel writer and won the Somerset Maugham Award for Frontiers, about a journey through Eastern Europe. In the mid-eighties Nicholson founded Toucan Books, and he served as publishing director for five years. He has since joined the London Daily Telegraph as a columnist. He is the author of Wetland Life in the Somerset Levels, which won the British Topography Prize; Restoration; God's Secretaries: The Making of the King James Bible; and Sea Room, which was short-listed for the Duff Cooper Prize. Nicholson lives on a small beef and sheep farm in Sussex with his wife and five children.

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Future of America's Libraries

Thu, Jan 12, 2006

David Seaman argues that, despite predictions to the contrary, the library (both physically and virtually) continues to thrive as we settle into a new century. Even as libraries and readers consume more and more e-books, the number of paper books published in America last year hit a record 195,000, a 14 percent increase on the previous high of nearly 175,000 recorded the year earlier. On college campuses the "library as place" is reinventing itself as a social space and collaborative teaching environment. With our electronic journals, books, data sets, maps, and special collections objects growing ever more numerous, the notion of "place as library" is more and more prevalent. Now your library comes to you digitally in whatever place you are. Traditional library skills (cataloging, preservation, reference) are all being actively applied to our new hybrid print and electronic collections. Google and others are actively digitizing millions of books in our nation's libraries; digital paper is about to arrive, promising wholly new kinds of reading devices beyond the clumsy computers and handheld gadgets we now have with us; and we are collectively learning what it means to thrive in this rapidly changing environment.

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Landscape Design: New Garden Paradise

Thu, Jan 19, 2006

Dominique Browning takes us on a private tour of 35 of the world's most exquisite examples of cutting edge garden design. Astonishing in their range, vibrancy, and attention to detail, many of the featured gardens have never before been shown to the public. From the beautifully undulating hedges created by renowned Belgian designer Jacques Wirtz to the quiet power of Mia Lehrer's California, *The New Garden Paradise* offers readers an exclusive showcase of work, and an introduction to this astonishing world of landscape design. During the last decade, the gardening world has benefited from an exceptionally talented pool of landscape designers. In the midst of a healthy economy, the results in innovative garden design have been unrivaled in the past 100 years.

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Peabody Sisters: Igniting American Romanticism

Tue, May 17, 2005

Megan Marshall lectures on Elizabeth, Mary, and Sophia Peabody, the subjects of her 20 years in the making biography, The Peabody Sisters. Marshall focuses on the period during which the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered hundreds of previously unread letters, as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. **Megan Marshall**'s work on The Peabody Sisters has been supported by the Guggenheim Foundation and the National Endowment for the Humanities. She has published numerous articles on women's history and New England history.

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Letters of a Portuguese Nun: 17th Century Forbidden Love

Tue, Feb 21, 2006

Myriam Cyr makes the case that the nun, Mariana Alcoforado, is indeed the author of one of the great literary masterpieces of the 17th century, *Portuguese Letters*. Mariana's story is one of the most moving in the history of forbidden love. In 1669, a Parisian bookseller published a slim volume called *Portuguese Letters*, which unveiled a love affair between a young Portuguese nun and a French officer that had occurred a few years earlier during a chaotic and war torn period in Portugal. The book contained passionate love letters the nun had written when the officer was forced to return to France. The letters took Paris by storm. They spoke of love in a manner so direct, so precise, and so raw that they sent shivers of recognition through the sophisticated strata of polite society. Through the centuries they have captured the hearts of poets and painters alike and retain all of their beauty and power today. Stendhal said "one has not loved until they have loved like the Portuguese nun." Braque and Matisse tried to imagine her. As remarkable as the letters are, they are rivaled by the mystery that surrounds them. Scholars debate whether a Portuguese nun could have written words of such stunning truth and beauty preferring to believe that a French aristocrat wrote the letters in answer to a dare.

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How Free Blacks from Boston Changed America

Fri, Feb 24, 2006

Steven Kendrick and Paul Kendrick discuss the 1847 Massachusetts Supreme Court case of schoolgirl Sarah Roberts, and the lasting impact it made in American history. In 1847, on windswept Beacon Hill, a 5-year-old girl named Sarah Roberts was forced to walk past five white schools to attend the poor and densely crowded black school. Her father, Benjamin, sued the city of Boston on her behalf, turning to 24-year-old Robert Morris, the first black attorney to win a jury case in America. Together with young lawyer Charles Sumner, this legal team forged a powerful argument against school segregation that has reverberated down through American history in a direct legal line to Brown v. Board of Education. When the Massachusetts Supreme Judicial Court ruled against Sarah Roberts, Chief Justice Shaw created the concept of "separate but equal", an idea that effected every aspect of American life until it was overturned 100 years later by Thurgood Marshall.

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