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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

Banjo-Wielding Women in Art

Tue, Sep 19, 2006

Anglo-female banjoists appear in myriad American paintings, photographs, illustrations, and advertisements from the Gilded Age and the Progressive Era. Their presence is equally apparent, and yet more charged, in twentieth-century visual culture. The earlier artists often aligned the banjo with female achievement and enlightenment, yet the instrument was at best an ambiguous emblem of early twentieth-century New Womanhood, with any hint of feminist reform tempered by the literary, visual, and commercial contexts in which a bevy of increasingly coquettish banjo-wielding women appear. This talk traces that evolution, from Thomas Eakins, Childe Hassam, and Frances Benjamin Johnston to the contemporary muralist Margaret Kilgallen and the singing group Dixie Chicks where the instrument challenges male hegemonies in art and music. Leo G. Mazow is curator of American art at the Palmer Museum of Art at the Pennsylvania State University, where he is also affiliate associate professor of art history. He received his Ph.D. in art history from the University of North Carolina at Chapel Hill. His essays and reviews have appeared in *American Art*, *Southern Cultures*, and *Railroad Heritage*. He has also written and edited several exhibition catalogues, including *Picturing the Banjo*, *Arneson and the Object*, and *George Inness: The 1880s and 1890s*.

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Nancy Lancaster: English Country House Style

Tue, Oct 10, 2006

Martin Wood explores Nancy Lancaster's substantial contribution to the arts of interior decoration and garden design. Nancy Lancaster (1897-1994) was one of the premier tastemakers of the 20th century and essentially created what is known as the English Country House Style, which emphasized a mixture of chintzes and antique furniture. The owner of Colefax and Fowler, an influential British decorating firm that codified this quintessentially English look, Lancaster had an assured sense of scale, boldness, a sharp wit, and an instinctive understanding of how to make a house mellow, elegant, and unpretentious. She carried the same clean elegance into the garden, where she worked in a formal yet romantic neo-Georgian style. Wood discusses Lancaster's houses and gardens including Mirador in Virginia; Kelmarsh Hall in Northamptonshire, England; Ditchley Park, in Oxfordshire; and Haseley Court. He discusses Lancaster's remarkable personal life, her dynamic design partnership with John Fowler, and her interactions with friends, including her aunt Nancy Astor, Duff and Lady Diana Cooper, David Niven, and Winston Churchill. This illustrated lecture includes images of Lancaster, her houses, her gardens, and her friends by celebrated artists and photographers, including John Singer Sargent, Cecil Beaton, and Horst P. Horst. This lecture was cosponsored by the Royal Oak Foundation.

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Satyr Square: A Year, A Life in Rome

Thu, Oct 12, 2006

Leonard Barkan discusses *Satyr Square*, which is part memoir, part literary criticism, part culinary and aesthetic travelogue, and overall a poignant and hilarious narrative about an American professor spending a magical year in Rome. A scarred veteran of academic culture wars, Leonard Barkan is at first hungry, lonely, and uncertain of his intellectual mission. But soon he is appointed unofficial mascot of an eccentric community of gastronomes, becomes virtually bilingual, and falls in love. As the year progresses, he finds his voice as a writer, loses his lover, and returns definitively to America. His book is the celebration of a life lived in the uncanny spaces where art and real people intersect.

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How Elizabeth Barrett Browning Saved My Life

Thu, Apr 27, 2006

Mameve Medwed discusses her new novel, a witty tale about love, loss, friendship, and self-discovery set in the appealingly absurd world of antiques and the people who buy, sell, and covet them. Thirty-three-year-old Abigail Randolph is having a tough time. Her beloved mother has recently died in an earthquake, the man she loves has left her for another woman, and the antiques business she started with her now ex-boyfriend is not doing so well. A Harvard dropout who has good-naturedly suffered through a lot of disappointments, Abby decides to put her trust in things that can't let her down: old books, chipped china, moth-eaten tablecloths, and the discarded and dented bits of other people's lives. But other people's lives, and not just their stuff, manage to intrude on her own life in surprising ways. Medwed briskly depicts the odd world of flea markets and tag sales, and makes of Abby's arduous liberation (not unlike the invalid Browning's), an adventure to which Jane Austen might have raised a celebratory glass of port.

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This Land: Development in America

Thu, May 4, 2006

Anthony Flint argues that, despite a modest revival in city living, Americans are spreading out more than ever into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. They cling to the notion of safer neighborhoods and better schools, but what they get is long commutes, crushing gas prices and higher taxes, and a landscape of strip malls and office parks badly in need of a makeover. *This Land* tells the untold story of development in America: how the landscape is shaped by a clash of political, economic, and cultural forces. It is the story of a burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them. The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?

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Familiar Faces: Gilbert Stuart's George and Martha Washington

Tue, Mar 21, 2006

Ellen Miles discusses Gilbert Stuart's creation in 1796 of his very familiar life portrait of George Washington, together with its companion portrait of Martha Washington, often known as the "Athenaeum portraits" because they were owned by the Boston Athenaeum for more than 150 years. Miles describes the relationship between the Washingtons and the artist, the reason for the incomplete composition of the two portraits, and the immediate and lasting success of the portrait of the President, in contrast to the relative obscurity of the portrait of Martha Washington.

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Elizabeth Kolbert: Field Notes from a Catastrophe

Thu, Apr 6, 2006

New Yorker writer Elizabeth Kolbert discusses topics from her new book, Field Notes from a Catastrophe. Americans have been warned since the late 1970s that the buildup of carbon dioxide in our atmosphere threatens to melt the polar ice sheets and irreversibly change our climate. With little done since then to alter this dangerous path, the world has reached a critical threshold. By the end of the twenty-first century, it will likely be hotter than at any point in the last two million years, and the sweeping consequences of this change will determine the course of life on earth for generations to come. Acclaimed journalist Elizabeth Kolbert approaches this monumental problem from every angle. She travels to the Arctic, interviews researchers and environmentalists, explains the science and the studies, draws frightening parallels to lost ancient civilizations, unpacks the politics, and presents the personal tales of those who are being affected most: the people who make their homes near the poles and, in an eerie foreshadowing, are watching their worlds disappear. Growing out of a groundbreaking three-part series for the New Yorker, Field Notes from a Catastrophe brings the environment into the consciousness of the American people and asks what, if anything, can be done to save our planet.

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Mount Auburn Cemetery's 175th Anniversary: William Clendaniel Opens the Ceremony

Tue, Apr 11, 2006

William Clendaniel, president of Mount Auburn Cemetary, lectures on the history of Mount Auburn in celebration if its 175th anniversary. Clendaniel shares this remarkable institution's history, its ties to the Boston Athenaeum, what it is today, and how it continues to evolve and remain a relevant and important part of Boston's cultural fabric. One of Boston's oldest nonprofit institutions, Mount Auburn Cemetery is a National Historic Landmark and a beloved historic landscape that continues as an active cemetery today. Mount Auburn is also an important cultural resource for the community with a nationally known collection of plants and important collections of architecture, sculpture, paintings, paper and photographic archives, and decorative arts from three centuries.

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Birth of the Modern Arms Race

Tue, Apr 18, 2006

Priscilla McMillan discusses the content of her newest book, The Ruin of J. Robert Oppenheimer: And the Birth of the Modern Arms Race. In a groundbreaking book that recasts the history of the Cold War, bestselling author Priscilla McMillan exposes, for the first time, the truth behind J. Robert Oppenheimer's 1954 trial on charges of violating national security. Drawing from newly declassified papers and extensive interviews, McMillan places Oppenheimer's opposition to the development of the hydrogen bomb at the heart of the story. His opposition made him the victim of government officials who, conspiring with rival scientist Edward Teller, deceived President Eisenhower and trapped the enigmatic genius who had done more than anyone to build the atomic bomb. A chilling expose of the McCarthy-era conspiracy that helped propel the East-West arms race, this is a spellbinding work of history. **Priscilla McMillan** is an associate of the Davis Center for Russian and Eurasian Studies at Harvard University. She is the author of the bestseller Marina and Lee. Among other places, her articles have appeared in The New York Times, The Boston Globe, the Los Angeles Times, Harpers Magazine, Scientific American, and The Bulletin of the Atomic Scientist, where she is a member of the editorial board.

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Bess Hardwick: First Lady of Chatsworth

Thu, May 11, 2006

Mary S. Lovell explores the life of Bess Hardwick, an ambitious figure who became the matriarch of one of the most powerful family dynasties in England and died one of the wealthiest in England's history. Bess Hardwick, the fifth of six daughters of an impoverished English nobleman, did not have a particularly auspicious start in life. Born in 1527 into the most brutal and turbulent period of England's history, she was widowed for the first time at sixteen, married three more times, and outlived four monarchs. By the time Bess's first child, Frances, was six years old, three of her illustrious godparents had been beheaded. She survived through England's violent political and social upheaval, bore eight children, and built an extraordinary empire that included the great houses of Chatsworth and Hardwick. Through journals, letters, court reports, inventories and account books, Lovell charts the rise of an astonishingly tenacious woman, one who loved extravagant furnishings and fine clothes and who inspired passionate uxoriousness in her husbands; a woman who was generous, hardheaded and brave. What is revealed is not simply an intimate portrait of one woman but also of all Tudor society.

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