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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

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  • Mary S. Lovell explores the life of Bess Hardwick, an ambitious figure who became the matriarch of one of the most powerful family dynasties in England and died one of the wealthiest in England's history. Bess Hardwick, the fifth of six daughters of an impoverished English nobleman, did not have a particularly auspicious start in life. Born in 1527 into the most brutal and turbulent period of England's history, she was widowed for the first time at sixteen, married three more times, and outlived four monarchs. By the time Bess's first child, Frances, was six years old, three of her illustrious godparents had been beheaded. She survived through England's violent political and social upheaval, bore eight children, and built an extraordinary empire that included the great houses of Chatsworth and Hardwick. Through journals, letters, court reports, inventories and account books, Lovell charts the rise of an astonishingly tenacious woman, one who loved extravagant furnishings and fine clothes and who inspired passionate uxoriousness in her husbands; a woman who was generous, hardheaded and brave. What is revealed is not simply an intimate portrait of one woman but also of all Tudor society.
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  • Simon Schama discusses his book Rough Crossings, which turns on a single huge question: if you were black in America at the start of the Revolutionary War, whom would you want to win? Tens of thousands gave their answer, voting with their feet for Britain and King George. In response to a declaration by the Governor of Virginia that any rebel-owned slave who escaped and served the King would be emancipated, tens of thousands of slaves, Americans who clung to the sentimental notion of British freedom, escaped from farms, plantations, and cities to try to reach the British camp. This mass movement lasted as long as the war did, and a military strategy originally designed to break the plantations of the American South had unleashed the greatest uprising in American history. Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture at the war's end, into inhospitable Nova Scotia, where thousands who had served the Crown were betrayed, and, in a little-known hegira of the slave epic, shipped across the broad, stormy ocean to Sierra Leone.
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  • Max Egremont tells the story of Siegfried Sassoon, one of the most famous famous young writers of the 1910's, a mentor to Wilfred Owen, and an inspiration to Winston Churchill and T.E. Lawrence. Siegfried Sassoon was born in 1886 in Kent, and began writing verses as a boy. As a brave young officer, he confronted the terrible realities of the First World War on the battlefield, in verse, and, finally, by announcing his opposition to the war in 1917, showing that physical courage could exist alongside humanity and sensibility. He joined the Labour Party, became literary editor of the socialist Daily Herald, and began close friendships with Thomas Hardy and E.M. Forster while trying to grow as a poet in peacetime. Then Sassoon fell in love with the aristocratic aesthete Stephen Tennant, who led him into the group of "bright young things" who inspired the early novels of Evelyn Waugh. At the demise of his passionate but fraught relationship with Tennant, Sassoon suddenly married the beautiful Hester Gatty in 1933 and retreated to a quiet country life until their eventual estrangement and Sassoon's subsequent conversion to Catholicism. From his famous war poems to the gentler vision of his prose, Sassoon wrote masterfully of war and lost idylls, and this work and its complex author are brilliantly illuminated in Max Egremont's definitive biography, which draws from unprecedented access to Sassoon's complete papers.
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    Boston Athenaeum
  • Moderated by Isaiah Jackson, various panelists come together to discuss the politics, identities and cultures that have been emerging from the hip-hop movement. In its varied aspects, hip-hop embraces music, art, and dance. Emerging in the early 1970s from the African American and Latino communities of the Bronx, hip-hop culture has evolved into a creative force drawing an economically and culturally diverse international audience. Defying controversies and negative labels associated with hip-hop, artists and activists are increasingly collaborating to move hip-hop in the direction of greater political engagement and social responsibility. Today, hip-hop has the potential to serve as a positive agent for change at the community and national levels. Cosponsored by the Boston Athenaeum and The Partnership.
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    Boston Athenaeum
  • Mameve Medwed discusses her new novel, a witty tale about love, loss, friendship, and self-discovery set in the appealingly absurd world of antiques and the people who buy, sell, and covet them. Thirty-three-year-old Abigail Randolph is having a tough time. Her beloved mother has recently died in an earthquake, the man she loves has left her for another woman, and the antiques business she started with her now ex-boyfriend is not doing so well. A Harvard dropout who has good-naturedly suffered through a lot of disappointments, Abby decides to put her trust in things that can't let her down: old books, chipped china, moth-eaten tablecloths, and the discarded and dented bits of other people's lives. But other people's lives, and not just their stuff, manage to intrude on her own life in surprising ways. Medwed briskly depicts the odd world of flea markets and tag sales, and makes of Abby's arduous liberation (not unlike the invalid Browning's), an adventure to which Jane Austen might have raised a celebratory glass of port.
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    Boston Athenaeum
  • Anthony Flint argues that, despite a modest revival in city living, Americans are spreading out more than ever into "exurbs" and "boomburbs" miles from anywhere, in big houses in big subdivisions. They cling to the notion of safer neighborhoods and better schools, but what they get is long commutes, crushing gas prices and higher taxes, and a landscape of strip malls and office parks badly in need of a makeover. *This Land* tells the untold story of development in America: how the landscape is shaped by a clash of political, economic, and cultural forces. It is the story of a burgeoning anti-sprawl movement, a 1960s-style revolution of New Urbanism, smart growth, and green building. And it is the story of landowners fighting back on the basis of property rights, with free-market libertarians, homebuilders, road pavers, financial institutions, and even the lawn-care industry right alongside them. The subdivisions and extra-wide roadways are encroaching into the wetlands of Florida, ranchlands in Texas, and the desert outside Phoenix and Las Vegas. But with 120 million more people in the country by 2050, will the spread-out pattern cave in on itself? Could Americans embrace a new approach to development if it made sense for them?
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    Boston Athenaeum
  • Ellen Miles discusses Gilbert Stuart's creation in 1796 of his very familiar life portrait of George Washington, together with its companion portrait of Martha Washington, often known as the "Athenaeum portraits" because they were owned by the Boston Athenaeum for more than 150 years. Miles describes the relationship between the Washingtons and the artist, the reason for the incomplete composition of the two portraits, and the immediate and lasting success of the portrait of the President, in contrast to the relative obscurity of the portrait of Martha Washington.
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    Boston Athenaeum
  • Megan Marshall lectures on Elizabeth, Mary, and Sophia Peabody, the subjects of her 20 years in the making biography, The Peabody Sisters. Marshall focuses on the period during which the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered hundreds of previously unread letters, as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. **Megan Marshall**'s work on The Peabody Sisters has been supported by the Guggenheim Foundation and the National Endowment for the Humanities. She has published numerous articles on women's history and New England history.
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    Boston Athenaeum
  • Writer Adam Nicholson discusses his nautical adventure around the British Isles that lead to his book, Seamanship: A Voyage Along the Wild Coasts of the British Isles In the winter of 2003, Adam Nicholson embarked on the sea voyage of his wildest imaginings. In the company of George Fairhurst, an experienced skipper with half a million sea miles under his belt, Nicholson navigated the often unforgiving coastal waters of western Ireland and Scotland, visiting the outer reaches of the British Isles. The months-long expedition on a 42-foot ketch tested their mettle, both as sailors and as men, as they faced fierce weather, fickle currents, and their own resolution and limitations. **Adam Nicholson** grew up in Sissinghurst Castle in Kent, the family home of his grandparents Vita Sackville-West and Harold Nicholson. He was educated at Eton and at Magdalene College at Cambridge. After university, he became a travel writer and won the Somerset Maugham Award for Frontiers, about a journey through Eastern Europe. In the mid-eighties Nicholson founded Toucan Books, and he served as publishing director for five years. He has since joined the London Daily Telegraph as a columnist. He is the author of Wetland Life in the Somerset Levels, which won the British Topography Prize; Restoration; God's Secretaries: The Making of the King James Bible; and Sea Room, which was short-listed for the Duff Cooper Prize. Nicholson lives on a small beef and sheep farm in Sussex with his wife and five children.
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    Boston Athenaeum
  • Susan Wilson's monthly column on Boston history, "Sites and Insights," first appeared in the *Boston Globe* in 1987. "The intent of the columns," Wilson writes, "was to observe Boston's rich past in a way that was both accessible to the general public and enlightening to serious students of history, and to encourage both Bostonians and Boston visitors to discover, or rediscover, the history around them." Her columns, and her passion for local history and lore, resulted in the book *Boston Sites & Insights: An Essential Guide to Historic Landmarks In and Around Boston*. Now, ten years after its initial publication, Wilson offers a completely updated and revised edition of her insider's guide to fifty historic Boston treasures. *Boston Sites & Insights* includes all "the essentials," but, unlike other guidebooks, Wilson's work digs deep into the history of the individual landmarks, from the Park Street Station, to the African Meeting House and the famously misunderstood Bunker Hill, to reveal the lesser-known stories and facts that make them unique and important pieces of Boston's past. Susan Wilson is a photographer, writer, and educator who resides in Cambridge and has long held a special affection for Boston history. The recipient of a BA and MA in history from Tufts University, Susan taught history at both the secondary school and college levels before moving into a career in journalism. Her work has regularly appeared in the *Boston Globe*, and she has most recently been busy writing books on Boston history.
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