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Free online lectures: Explore a world of ideas

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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

  • Writer's Room Presents: LeHane, Mazur and Perrotta

    Sat, Nov 6, 2004
    Writers Gail Mazur, Tom Perrotta, and Dennis Lehane read from their current projects and discuss the New England authors who have been important to their work. This lively, entertaining, and thoroughly Bostonian discussion connects the city's literary past to the thriving writing community of today.
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  • Longfellow: A Rediscovered Life

    Tue, Feb 8, 2005
    Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became American icons. And in his masterpiece, *Evangeline*, Longfellow invented the foundational myth of Acadian and Cajun ethnic identity. Calhoun's *Longfellow: A Rediscovered Life* is a Victorian family saga. As a young man from the provinces, Longfellow gained international celebrity and great wealth; yet his life was afflicted by chronic melancholy, by the tragic deaths of two beloved wives, by a spendthrift son, and by a self-destructive brother. A procession of vivid characters walks through the pages of Calhoun's book, from the poet's Revolutionary War grandfather, Peleg Wadsworth, to his friends and acquaintances, including Hawthorne, Emerson, Charles Sumner, Dickens, Carlyle, Fanny Butler, Queen Victoria, and Oscar Wilde.
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  • One Hundred Years of Egyptian Art at the MFA

    Thu, Mar 10, 2005
    Few people realize that the first home of the Museum of Fine Arts was the Boston Athenaeum, and that the Athenaeum's galleries once housed several thousand Egyptian objects. Today, the Department of Egyptian Art at the MFA Boston has grown to include some 70,000 objects and is one of the finest collections of its kind in the world. Recently celebrating its 100th anniversary, it is also the oldest such department in the United States. This lecture examines how Boston became interested in ancient Egypt, when the first objects arrived on Boston shores, and how the collection developed to its present size and quality. Using archival photographs, Dr Freed focuses on behind-the-scenes stories of the early years and the Department's pioneering archaeological excavations in Egypt. Dr Rita E. Freed has been working in the MFA Boston's Ancient Egyptian Department for 15 years; she was recently named to the John F. Cogan Jr. and Mary L. Cornille Chair of the Department of Art of the Ancient World. She is also adjunct professor of art at Wellesley College. Dr Freed has curated a number of internationally acclaimed exhibitions on the subject of ancient Egyptian and Nubian Art, including *Rameses the Great*, which toured the country in the late 1980s, and *Pharaohs of the Sun: Akhenaten, Nefertiti, Tutankhamen* in 1999, which traveled to Chicago, Los Angeles, and Leiden, Netherlands. Dr Freed has participated in archaeological excavations in Egypt, Cyprus, and Israel.
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  • Ann Patchett: Run

    Tue, Sep 25, 2007
    Ann Patchett reads from her fifth novel *Run*, which explores what "family" means and how we forge our allegiances while still asserting our identities. Set within a 24-hour period, the novel, like much of Patchett's work, examines what happens when disparate lives intersect, as well as the obligations we bear to strangers. *Run* is both the story of one loving family's insular bonds and an examination of community, for which we are all accountable.
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  • Oath of a Surgeon Under Fire

    Thu, Oct 23, 2003
    Khassan Baiev discusses his experience as a doctor during the Russian-Chechen war. Little understood and largely ignored by the West, the Russian-Chechen war represents one of the bloodiest conflicts in recent memory, claiming upwards of 150,000 lives in the past 10 years. Dr. Khassan Baiev saw the worst of it as one of the few surgeons to remain behind after fighting began in 1994. *The Oath: A Surgeon Under Fire* is his testament to the horrors of wartime and the first inside account to emerge by a native Chechen.
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  • Sweetwater: Secrets of a Yankee Life

    Thu, Nov 13, 2003
    Roxana Robinson discusses *Sweetwater*, her story of a woman whose second marriage casts into sharp relief the painful echoes of her first. The book draws together the disparate strands of family complexities, social tensions, and the fragility of the natural world in this moving novel.
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  • Wood, Wind & Water: Nantucket Opera House Cup Race

    Tue, Oct 7, 2003
    Annie Converse and Camie Ford discuss their collaboration on the photographic essay *Wood, Wind and Water*, and the creative process that took years to complete. They familiarize the audience with the world of classic wooden yacht racing and restoration, which they have chronicled both in the book and in a 26-minute documentary video. The book, set in Nantucket, offers a rich, salty, and often humorous look at a global subculture glued together by a passion for classic wooden yachts. The video documentary follows many of the characters from the book to Antigua, where they race in the Antigua Classic Wooden Yacht Regatta. This race, in 1999, was the first time the J boats Shamrock V, Velsheda, and Endeavor had raced against one another since the 1930's. Much of the footage in the documentary is shot aboard Shamrock V.
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  • Gaining Ground: History of Landmaking in Boston

    Tue, Dec 2, 2003
    Historian Nancy Seasholes gives us the first complete account of when, why, and how Boston's land was created. Fully one-sixth of Boston is built on made land. Although other waterfront cities also have substantial areas that are built on fill, Boston probably has more than any city in North America. Seasholes introduces findings from recent archeological investigations in Boston and relates landmaking to the major historical developments that shaped it. At the beginning of the 19th century, landmaking in Boston was spurred by the rapid growth that resulted from the burgeoning China Trade. The influx of Irish immigrants in the mid-19th century prompted several large projects to create residential land (not for the Irish, but to keep the taxpaying Yankees from fleeing to the suburbs). Many landmaking projects were undertaken to cover tidal flats that had been polluted by raw sewage discharged directly on them, removing the "pestilential exhalations" thought to cause illness. Land also was added for port developments, public parks, and transportation facilities, including the largest landmaking project of all, the airport.
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  • Samuel Johnson's Dictionary: Defining the English Language

    Thu, Jan 15, 2004
    Jack Lynch, professor of English at Rutgers University, discusses Samuel Johnson's Dictionary. Two volumes thick and 2,300 pages long, Samuel Johnson's *Dictionary of the English Language,* published in 1755, marked a milestone in a language in desperate need of standards. No English dictionary before it had devoted so much space to everyday words and been so thorough in its definitions. Johnson's was the dictionary used by Jane Austen and Charles Dickens, Wordsworth and Coleridge, the Brontes and the Brownings, Thomas Hardy and Oscar Wilde. This new edition, created by Levenger Press, contains more than 3,100 selections from the original, including definitions and illustrative passages in their original spelling. Bristling with quotations, the dictionary offers memorable passages on subjects ranging from books and critics to dreams and ethics. It also features three new indexes created from entries in this edition.
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  • Picture Books: A Reading for Children

    Sat, Oct 4, 2003
    Children's book creators Barbara McClintock, Phyllis Root, and Helen Oxenbury read their stories aloud to a group of children at the Boston Athenaeum. Barbara McClintock reads from her book Dahlia. One morning Charlotte gets a package from her Aunt Edme. Inside is a delicate doll. Charlotte never wanted a doll, and she certainly doesn't want this one. She names the doll Dahlia and tells her that she and Bruno, her bear, "like digging in dirt and climbing trees. No tea parties, no being pushed around in frilly prams. You'll just have to get used to the way we do things." Dahlia doesn't seem to mind. What's more, she seems to like getting dirty while making mud cakes and racing wagons. But at the end of the day, Charlotte's aunt arrives for a visit and wants to see how Dahlia is doing and Charlotte gets another surprise. Phyllis Root and Helen Oxenbury read from their book Big Momma Makes the World. When Big Momma makes the world, she doesn't mess around. Earth, she says, get over here. And it does. With a little baby on her hip and laundry piling up, Big Momma asks for light and dark, sea and sky, creepers and crawlers, and lots of folks to trade stories with on the front porch. And when the work is done, Big Momma is pleased all right. "That's good," she says, "That's real good."
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