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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

Crack in the Edge of the World: The 1906 CA Earthquake

Thu, Nov 3, 2005

Simon Winchester discusses the Great California Earthquake of 1906, which he has written about extensively in his new book, A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Simon Winchester, who has brought the unlikely subject of geology to the literary forefront in his national bestsellers Krakatoa and The Map That Changed the World, now shines his literary light on the most dramatic natural calamity in US history in A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Using the devastating 7.9 quake that struck the bustling city of San Francisco as a narrative springboard, Winchester offers a panoramic blend of history and science that captures the "savage interruption" and its destructive aftermath with gripping immediacy. Winchester explores the global geology that jolted the Earth awake on the fateful day and suggests why it certainly will happen again.

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After the Victorians: The Decline of Britain in the World

Tue, Nov 8, 2005

The distinguished historian A.N. Wilson charts Britain's rise to world dominance. In his much anticipated sequel to the classic *The Victorians*, he describes how, in little more than a generation, Britain's power and influence in the world virtually dissolved. Wilson presents a panoramic view of an era, stretching from the death of Queen Victoria in 1901, to the dawn of the Cold War in the early 1950s. He offers riveting accounts of the savagery of World War I and the world-altering upheaval of the Communist Revolution and explains Britain's role in shaping the destiny of the Middle East, casting a new light on the World War II years. Wilson's perspective is not confined to the trenches of the battlefield and the halls of parliament: he also examines the parallel story of the beginnings of Modernism, looking at novelists, philosophers, poets, and painters to see what they reveal about the activities of the politicians, scientists, and generals. Blending military, political, social, and cultural history, A.N. Wilson offers an absorbing portrait of the decline of one of the world's great powers.

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Lewis Lapham: Theatre of War

Thu, Feb 27, 2003

Lewis Lapham discusses his collection of essays, Theater of War. Taking the war on terror as the most recent example, Lapham considers America's long tradition of gratuitous conflict, and its quixotic attempts at arbitrating 'good' and 'freedom,' culminating in the endowment of nation status upon the hijackers that began the present war. Lapham shows that the recent behavior of the United States' government is consistent with the practices of past administrations. Mr. Lapham questions the motives and feasibility of our country's ongoing crusades against the world's evildoers.

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The White House: A Pop-Up Book

Tue, Mar 22, 2005

Starting with the design by Irish-born architect James Hoban in 1792, the White House history spans more than 200 years. In *The White House: A Pop-Up Book*, Chuck Fischer brings to life not only the architecture, furnishings, and fine art of America's First Home, but also the history of Washington, DC, the National Mall, and America's First Families. A movable diorama of the Mall gives a 3-D view of America's national monuments; a pop-up of the White House provides a look at the mansion's exterior; a standing "carousel" reveals interiors of the Red Room, Cross Hall, Blue Room, Green Room, and Lincoln Bedroom; a removable map of Washington, DC details the city's layout; and a gallery of the presidents combined with a fan that opens to portray the first ladies illustrates America's leading families over the centuries. In addition, numerous pull-outs and pop-ups surprise the reader with interesting details, such as holiday traditions at the White House and the antics of more than one White House child (roller skating across polished floors or bombarding a cabinet meeting with a toy cannon!). Chuck Fischer is one of the most talented and sought-after artists in America today and is the author and illustrator of the acclaimed *Great American Houses and Gardens: A Pop-Up Book* and *Wallcoverings: Applying the Language of Color and Pattern*, both published by Universe. His wallcovering and fabric designs are in the permanent collection of the Cooper-Hewitt Museum, and he has recently been a visiting artist at the American Academy in Rome.

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Nature of Sacrifice: Biography of Charles Russell Lowell Jr.

Tue, Mar 22, 2005

The world advances by impossibilities achieved, Charles Lowell insisted in 1854 when, as valedictorian, he spoke at his Harvard graduation just two weeks after Boston had enforced the Fugitive Slave Law, returning Anthony Burns into slavery. Lowell argued that in the great march of mankind toward a greater humanity it was precisely those idealistic dreams of young men that marked human progress. His photographic memory and brilliant mind made him the brightest man of his generation. Spurning the advice of Ralph Waldo Emerson to become a "mystic," Lowell began a career at the cutting edge of industrial innovation under the mentorship of the New York iron magnate Abram Hewitt. But the impossibility Lowell had in mind was not the miracle of industrial advancement that was sweeping the nation, but the abolition of slavery. Lowell volunteered in the Union Cavalry and in 1862 served on General McClellan's staff. In 1864 he joined the Cavalry Corps under Sheridan, commanding the Reserve Brigade. Carol Bundy's account of Lowell's war years, shadowed by the deaths of his brother, cousins, and friends, is unsparing in its depiction of his work in helping to form the fabled 54th Regiment of black volunteers, fighting Colonel Mosby's guerillas, implementing Grant's orders to destroy the Shenandoah Valley, and participating in the notorious Front Royal Affair, when Confederate prisoners were tortured and executed. Bundy's vivid biography, based on rich public archives and a wealth of family papers, shows in persuasive detail the antebellum Boston of Lowell's privileged childhood transformed by his father's unexpected bankruptcy and by the national controversy over slavery. An Athenaeum proprietor, Carol Bundy has written for film and art publications in both the UK and the US. She has two sons and lives in Cambridge. Bundy became interested in her great-great-great uncle, Charles Russell Lowell, when his worn saddle bags, rusted sword, and spurs turned up after her grandmother's death in 1983. Listen to a complementary [interview with Carol Bundy](http://thoughtcast.org/casts/carol-bundy-civil-war-biographer) on Thoughtcast.org, a podcast and public radio interview program on authors, academics and intellectuals.

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Hudson River School of American Landscape Painting

Thu, Apr 14, 2005

David Dearinger, a curator at the Boston Athenaeum, lectures on history and technique of the the Hudson River School style of landscape painting. The Hudson River School resulted from the earliest attempts by American artists to find a truly "American" theme and style. It was born in the 1820s in the paintings of Thomas Cole and thrived through the 1850s in the work of Asher Durand, John Kensett, Sanford Gifford, Fitzhugh Lane, and Frederic Edwin Church. Dr Dearinger traces the birth and development of the style using key examples of paintings by these and other artists, gives an overview of the movement's historiography, discusses contemporary critical responses to it, and comments on the waning and eventual demise of the style in the 1870s. **David Dearinger** is Susan Morse Hilles Curator of Paintings and Sculpture at the Boston Athenaeum. An art historian and curator, he received his PhD from the Graduate Center of the City University of New York, with a specialty in nineteenth-century American art. He taught art history in New York at Brooklyn College, Hunter College and, for many years, at the Fashion Institute of Technology. Before coming to Boston, he was chief curator at the National Academy of Design in New York. He has published and lectured widely on the history of American painting and sculpture.

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One Hundred Years of Egyptian Art at the MFA

Thu, Mar 10, 2005

Few people realize that the first home of the Museum of Fine Arts was the Boston Athenaeum, and that the Athenaeum's galleries once housed several thousand Egyptian objects. Today, the Department of Egyptian Art at the MFA Boston has grown to include some 70,000 objects and is one of the finest collections of its kind in the world. Recently celebrating its 100th anniversary, it is also the oldest such department in the United States. This lecture examines how Boston became interested in ancient Egypt, when the first objects arrived on Boston shores, and how the collection developed to its present size and quality. Using archival photographs, Dr Freed focuses on behind-the-scenes stories of the early years and the Department's pioneering archaeological excavations in Egypt. Dr Rita E. Freed has been working in the MFA Boston's Ancient Egyptian Department for 15 years; she was recently named to the John F. Cogan Jr. and Mary L. Cornille Chair of the Department of Art of the Ancient World. She is also adjunct professor of art at Wellesley College. Dr Freed has curated a number of internationally acclaimed exhibitions on the subject of ancient Egyptian and Nubian Art, including *Rameses the Great*, which toured the country in the late 1980s, and *Pharaohs of the Sun: Akhenaten, Nefertiti, Tutankhamen* in 1999, which traveled to Chicago, Los Angeles, and Leiden, Netherlands. Dr Freed has participated in archaeological excavations in Egypt, Cyprus, and Israel.

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Longfellow: A Rediscovered Life

Tue, Feb 8, 2005

Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became American icons. And in his masterpiece, *Evangeline*, Longfellow invented the foundational myth of Acadian and Cajun ethnic identity. Calhoun's *Longfellow: A Rediscovered Life* is a Victorian family saga. As a young man from the provinces, Longfellow gained international celebrity and great wealth; yet his life was afflicted by chronic melancholy, by the tragic deaths of two beloved wives, by a spendthrift son, and by a self-destructive brother. A procession of vivid characters walks through the pages of Calhoun's book, from the poet's Revolutionary War grandfather, Peleg Wadsworth, to his friends and acquaintances, including Hawthorne, Emerson, Charles Sumner, Dickens, Carlyle, Fanny Butler, Queen Victoria, and Oscar Wilde.

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Stewart O'Nan's The Good Wife

Thu, Apr 7, 2005

Stewart O'Nan, author of The Speed Queen and A Prayer for the Dying, discusses his newest novel, The Good Wife. On a clear winter night in upstate New York, two young men break into a house believing it is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It is her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins. At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration as she raises her son, navigates a system that has no place for her, and braves the scorn of her community. Compassionate and unflinching, The Good Wife illuminates a marriage and a family tested to the limits of endurance.

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Emma at Home: Lady Hamilton and Her "Attitudes"

Thu, Mar 31, 2005

John Wilton-Ely lectures on the effervescent and much celebrated performance artist, Lady Emma Hamilton, whose "attitudes" made her a phenomenon all across 18th century Europe. This lecture is presented in conjunction with the Royal Oak Foundation.

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