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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

Hudson River School of American Landscape Painting

Thu, Apr 14, 2005

David Dearinger, a curator at the Boston Athenaeum, lectures on history and technique of the the Hudson River School style of landscape painting. The Hudson River School resulted from the earliest attempts by American artists to find a truly "American" theme and style. It was born in the 1820s in the paintings of Thomas Cole and thrived through the 1850s in the work of Asher Durand, John Kensett, Sanford Gifford, Fitzhugh Lane, and Frederic Edwin Church. Dr Dearinger traces the birth and development of the style using key examples of paintings by these and other artists, gives an overview of the movement's historiography, discusses contemporary critical responses to it, and comments on the waning and eventual demise of the style in the 1870s. **David Dearinger** is Susan Morse Hilles Curator of Paintings and Sculpture at the Boston Athenaeum. An art historian and curator, he received his PhD from the Graduate Center of the City University of New York, with a specialty in nineteenth-century American art. He taught art history in New York at Brooklyn College, Hunter College and, for many years, at the Fashion Institute of Technology. Before coming to Boston, he was chief curator at the National Academy of Design in New York. He has published and lectured widely on the history of American painting and sculpture.

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Stewart O'Nan's The Good Wife

Thu, Apr 7, 2005

Stewart O'Nan, author of The Speed Queen and A Prayer for the Dying, discusses his newest novel, The Good Wife. On a clear winter night in upstate New York, two young men break into a house believing it is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It is her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins. At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration as she raises her son, navigates a system that has no place for her, and braves the scorn of her community. Compassionate and unflinching, The Good Wife illuminates a marriage and a family tested to the limits of endurance.

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Emma at Home: Lady Hamilton and Her "Attitudes"

Thu, Mar 31, 2005

John Wilton-Ely lectures on the effervescent and much celebrated performance artist, Lady Emma Hamilton, whose "attitudes" made her a phenomenon all across 18th century Europe. This lecture is presented in conjunction with the Royal Oak Foundation.

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Edmund Wilson: A Life in Literature

Thu, Oct 13, 2005

Lewis Dabney lectures on his new book, Edmund Wilson: A Life in Literature. From the Jazz Age through the McCarthy Era, Edmund Wilson (1895-1972) stood at the center of the American cultural scene. In his own youth a crucial champion of the young Ernest Hemingway and F. Scott Fitzgerald, Wilson went on to write three classics of literary and intellectual history (Axel's Castle, To the Finland Station, and Patriotic Gore), searching reportage, and criticism that has outlasted many of its subjects. Wilson documented his unruly private life, a formative love affair with Edna St Vincent Millay, a tempestuous marriage to Mary McCarthy, and volatile friendships with Fitzgerald and Vladimir Nabokov, among others, in fiction and journals, but Lewis Dabney is the first writer to integrate the life and the work.

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Crack in the Edge of the World: The 1906 CA Earthquake

Thu, Nov 3, 2005

Simon Winchester discusses the Great California Earthquake of 1906, which he has written about extensively in his new book, A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Simon Winchester, who has brought the unlikely subject of geology to the literary forefront in his national bestsellers Krakatoa and The Map That Changed the World, now shines his literary light on the most dramatic natural calamity in US history in A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Using the devastating 7.9 quake that struck the bustling city of San Francisco as a narrative springboard, Winchester offers a panoramic blend of history and science that captures the "savage interruption" and its destructive aftermath with gripping immediacy. Winchester explores the global geology that jolted the Earth awake on the fateful day and suggests why it certainly will happen again.

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After the Victorians: The Decline of Britain in the World

Tue, Nov 8, 2005

The distinguished historian A.N. Wilson charts Britain's rise to world dominance. In his much anticipated sequel to the classic *The Victorians*, he describes how, in little more than a generation, Britain's power and influence in the world virtually dissolved. Wilson presents a panoramic view of an era, stretching from the death of Queen Victoria in 1901, to the dawn of the Cold War in the early 1950s. He offers riveting accounts of the savagery of World War I and the world-altering upheaval of the Communist Revolution and explains Britain's role in shaping the destiny of the Middle East, casting a new light on the World War II years. Wilson's perspective is not confined to the trenches of the battlefield and the halls of parliament: he also examines the parallel story of the beginnings of Modernism, looking at novelists, philosophers, poets, and painters to see what they reveal about the activities of the politicians, scientists, and generals. Blending military, political, social, and cultural history, A.N. Wilson offers an absorbing portrait of the decline of one of the world's great powers.

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Burying Sir Joshua Reynolds

Tue, Sep 27, 2005

Richard Wendorf discusses his new book on British art in the 18th and 19th centuries, an experiment in cultural history that combines analysis of specific artistic objects with an exploration of the cultural conditions in which they were created. In a lecture titled "After Sir Joshua" presented at the Athenæum eight years ago, Richard Wendorf investigated Sir Joshua Reynolds' legacy among the biographers, painters, and writers who followed him. In "Burying Sir Joshua," Wendorf provides an illustrated analysis of the various cultural factors that made the preparation for Reynolds' funeral in 1792 so difficult. Drawing on rarely seen archival material in the Hyde Collection at the Houghton Library, Wendorf charts the day-by-day events involving not only the recently deceased first president of the Royal Academy, but the artist Benjamin West, the architect Sir William Chambers, and the politician and writer Edmund Burke as well. "Burying Sir Joshua" is the final Athenæum lecture based on Wendorf's new book, *After Sir Joshua: Essays on British Art and Cultural History*.

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North Shore Boston: Country Houses of Essex County

Tue, Oct 4, 2005

Pamela Wilkinson Fox discusses more than 50 great houses in Boston's North Shore, designed by such architects as McKim, Mead & White, the Olmsted Brothers, Peabody & Stearns, and Ogden Codman. Since the mid-19th century, well-to-do Bostonians have fled the sweltering city streets for the cooling breezes, gently rolling hills, and rugged coastline of the fabled North Shore. From prestigious seaside communities such as Nahant, Marblehead, and Prides' Crossing to inland villages such as Wenham, Topsfield, and Ipswich, elegant country mansions arose, growing ever grander and more elaborate as the Age of Elegance progressed. Exclusive enclaves such as the Myopia Hunt Club, Eastern Yacht Club, and the Essex Country Club endowed the North Shore with a summer playground where Boston Brahmins mingled with Midwestern moguls (Henry Clay Frick, Richard Crane, and Edwin Swift), US Presidents (William Howard Taft and Calvin Coolidge), and artists and authors, including Maxfield Parrish, Edward Hopper, and Rudyard Kipling.

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William John Bankes: The Exiled Collector

Thu, Oct 6, 2005

Anne Sebba discusses her new book about William John Bankes, The Exiled Collector. William John Bankes was a former Tory MP, pioneer Egyptologist, renowned traveler, and consummate collector. A prominent figure in early Victorian Britain and friend to both Byron and the Duke of Wellington, Bankes was forced to flee Britain in 1841 and settled in Venice. He lost his possessions and property to the authorities, but unable to let his standing as an outlaw interfere with his affection for his prior estate, Bankes continued to decorate his beloved home and assemble his extraordinary collection. He collected obsessively for the house that he no longer owned, sending art, sculpture by Carlo Marochetti, huge quantities of marble, gilding, leatherwork, and Pietra Dura to the estate, which he visited in secret near the end of his life. Ms. Sebba recants the dramatic events in William Bankes' life, using previously unpublished archives, and examining the psychology of collecting as well as the pain and creativity of exile.

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How Free Blacks from Boston Changed America

Fri, Feb 24, 2006

Steven Kendrick and Paul Kendrick discuss the 1847 Massachusetts Supreme Court case of schoolgirl Sarah Roberts, and the lasting impact it made in American history. In 1847, on windswept Beacon Hill, a 5-year-old girl named Sarah Roberts was forced to walk past five white schools to attend the poor and densely crowded black school. Her father, Benjamin, sued the city of Boston on her behalf, turning to 24-year-old Robert Morris, the first black attorney to win a jury case in America. Together with young lawyer Charles Sumner, this legal team forged a powerful argument against school segregation that has reverberated down through American history in a direct legal line to Brown v. Board of Education. When the Massachusetts Supreme Judicial Court ruled against Sarah Roberts, Chief Justice Shaw created the concept of "separate but equal", an idea that effected every aspect of American life until it was overturned 100 years later by Thurgood Marshall.

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