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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

  • Jeffrey J. Matthews provides a clear and concise account of Alanson B. Houghton's diplomatic experience during the 1920s, and consequently, a fresh assessment of US foreign policy during a pivotal decade in world history. Matthews explores why the United States failed to establish a stable world order during the New Era and additionally sheds light on the key historiographical themes of isolationism, new-imperialism, and corporations. American industrialist and politician Alanson B. Houghton, was the world's most influential diplomat during the "New Era" of the 1920s. Houghton, who served as ambassador to both Germany (1922 through 1925) and Great Britain (1925 through 1929), offers a unique window into the formation and implementation of American foreign policy. As the leading ambassador in Europe, he played a key role in the major diplomatic achievements of the era, including the Dawes Plan for reparations, the Locarno security treaties, and the Kellogg-Briand peace pact. While Houghton's significant contributions to these international accords are fully explored, the major theme of this book is his emergence as chief critic of US foreign policy within the Harding and Coolidge administrations.
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    Boston Athenaeum
  • Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became American icons. And in his masterpiece, *Evangeline*, Longfellow invented the foundational myth of Acadian and Cajun ethnic identity. Calhoun's *Longfellow: A Rediscovered Life* is a Victorian family saga. As a young man from the provinces, Longfellow gained international celebrity and great wealth; yet his life was afflicted by chronic melancholy, by the tragic deaths of two beloved wives, by a spendthrift son, and by a self-destructive brother. A procession of vivid characters walks through the pages of Calhoun's book, from the poet's Revolutionary War grandfather, Peleg Wadsworth, to his friends and acquaintances, including Hawthorne, Emerson, Charles Sumner, Dickens, Carlyle, Fanny Butler, Queen Victoria, and Oscar Wilde.
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    Boston Athenaeum
  • Nathaniel Philbrick explains for the first time why the US Exploring Expedition vanished from the national memory. Using new sources, including a secret journal, Philbrick reconstructs the darker saga that official reports, which focused on the "Ex Ex"' accomplishments, never told. The US Exploring Expedition of 1838-1842 was one of the most ambitious undertakings of the 19th century and one of the largest voyages of discovery the Western world had ever seen: six magnificent sailing vessels and a crew of hundreds that included botanists, geologists, mapmakers, and biologists, all under the command of the young, brash lieutenant Charles Wilkes. Their goal was to cover the Pacific Ocean, top to bottom, and to plant the American flag around the world. They discovered a new southern continent, which Wilkes would name Antarctica. This was an enterprise that should have been as celebrated and revered as the expeditions of Lewis and Clark.
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    Boston Athenaeum
  • William Fowler captures the sweeping panorama of the French and Indian War, and the huge cast of characters who fought it. Field commanders on both sides contended with the harsh realities of disease, brutal weather, and scant supplies, frequently having to build the roads they marched on. For many, the French and Indian War is just the backdrop for *The Last of the Mohicans*, a mere prelude to the American Revolution. Fowler's engrossing narrative reveals it as a turning point in modern history. On May 28, 1754, a group of militia and Indians led by 22-year-old major George Washington surprised a camp of sleeping French soldiers near present-day Pittsburgh. The brief but deadly exchange of fire that ensued lit the match that, in Horace Walpole's memorable phrase, would "set the world on fire." The resulting French and Indian War in North America escalated into a conflict fought across Europe, Africa, and the East and West Indies. Before it ended, nearly one million men had died.
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    Boston Athenaeum
  • In conjunction with the Fall 2004 exhibition "Seen But Not Heard: Images of Children from the Collection of the Boston Athenaeum", David Dearinger surveys the manner in which children were depicted in 19th and early 20th century American art. Artists such as Winslow Homer, Lily Martin Spencer, George Caleb Bingham, J. G. Brown, Mary Cassatt, and Robert Henri are discussed in this illustrated lecture.
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    Boston Athenaeum
  • Ann Parson, author of the recently published *The Proteus Effect: Stem Cells and Their Promise for Medicine*, shares some basic information about stem cells and what the future holds for medicines based on them. She is joined by four postdoctoral fellows who work in one of Boston's and the country's leading stem cell research laboratories, that of George Daley, a Harvard Medical School and Boston Children's Hospital hematologist and oncologist. Each scientist describes the research project he or she is tackling and how, if successful, their work could lead to significant improvements in current medical practices. With the stem cells of humans finally isolated, researchers are entering a new era of harnessing cells to treat a variety of disorders.
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    Boston Athenaeum
  • Lecturing from his book French Negotiating Behavior, Charles Cogan explores the cultural and historical factors that have shaped the French approach and then dissects their key elements. He postulates that French negotiators often seem more interested in asserting their country's "universal" mission than in reaching an agreement, and he uses three recent case studies to illustrate this uniquely French mélange. Cogan also offers practical suggestions for making negotiations more cooperative and productive.
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    Boston Athenaeum
  • Author and editor Robert McCrumb discusses the life and works of P.G. Wodehouse, which he chronicled in detail in his biography Wodehouse: A Life. **Robert McCrum**, now literary editor of London's Observer, was the editor-in-chief of the publishing firm Faber & Faber in London for nearly 20 years. He has written six highly acclaimed novels and is the co-author of the bestselling The Story of the English. McCrum lives in London.
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    Boston Athenaeum
  • Honor Moore, editor for poet Amy Lowell, discusses the impact of Lowell's work. A cigar-smoking proponent of free-verse modernism in open rebellion against her distinguished Boston lineage, Amy Lowell cut an indelible public figure. But in the words of Moore, "what strikes the modern reader is not the sophistication of Lowell's feminist or anti-war stances, but the bald audacity of her eroticism." Lowell was at the center of a group of pioneering modernists who, in an era convulsed by change, rejected musty Victorian standards and wrote poems of bracing immediacy. This new selection captures her formal range: the "cadenced verse" of her Imagist masterpieces, her experiments in "polyphonic prose," her narrative poetry, and her adaptations from the classical Chinese. It gives a fresh sense of the passion and energy of her work. **Honor Moore** is the author of *The White Blackbird: A Life of the Painter Margarett Sargent by Her Granddaughter*, a *New York Times* Notable Book in 1996, and of three volumes of poems: *Memoir*, *Darling*, and *Red Shoes*. Her work has appeared in *The New Yorker*, *The NewYork Times*, *The Nation*, *The New Republic*, *The Paris Review*, and *The American Scholar*.
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    Boston Athenaeum
  • Steven Kendrick and Paul Kendrick discuss the 1847 Massachusetts Supreme Court case of schoolgirl Sarah Roberts, and the lasting impact it made in American history. In 1847, on windswept Beacon Hill, a 5-year-old girl named Sarah Roberts was forced to walk past five white schools to attend the poor and densely crowded black school. Her father, Benjamin, sued the city of Boston on her behalf, turning to 24-year-old Robert Morris, the first black attorney to win a jury case in America. Together with young lawyer Charles Sumner, this legal team forged a powerful argument against school segregation that has reverberated down through American history in a direct legal line to Brown v. Board of Education. When the Massachusetts Supreme Judicial Court ruled against Sarah Roberts, Chief Justice Shaw created the concept of "separate but equal", an idea that effected every aspect of American life until it was overturned 100 years later by Thurgood Marshall.
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    Boston Athenaeum