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Boston Athenaeum

The Boston Athenaeum, one of the oldest and most distinguished independent libraries in the United States, was founded in 1807 by members of the Anthology Society, a group of fourteen Boston gentlemen who had joined together in 1805 to edit The Monthly Anthology and Boston Review. Their purpose was to form "an establishment similar to that of the Athenaeum and Lyceum of Liverpool in Great Britain; combining the advantages of a public library [and] containing the great works of learning and science in all languages." The library and Art Gallery, established in 1827, were soon flourishing, and grew rapidly, both by purchase of books and art and by frequent gifts. For nearly half a century the Athenaeum was the unchallenged center of intellectual life in Boston, and by 1851 had become one of the five largest libraries in the United States. Today its collections comprise over half a million volumes, with particular strengths in Boston history, New England state and local history, biography, English and American literature, and the fine and decorative arts. The Athenaeum supports a dynamic art gallery, and sponsors a lively variety of events such as lectures and concerts. It also serves as a stimulating center for discussions among scholars, bibliophiles, and a variety of community interest groups.break

http://www.bostonathenaeum.org

  • David Seaman argues that, despite predictions to the contrary, the library (both physically and virtually) continues to thrive as we settle into a new century. Even as libraries and readers consume more and more e-books, the number of paper books published in America last year hit a record 195,000, a 14 percent increase on the previous high of nearly 175,000 recorded the year earlier. On college campuses the "library as place" is reinventing itself as a social space and collaborative teaching environment. With our electronic journals, books, data sets, maps, and special collections objects growing ever more numerous, the notion of "place as library" is more and more prevalent. Now your library comes to you digitally in whatever place you are. Traditional library skills (cataloging, preservation, reference) are all being actively applied to our new hybrid print and electronic collections. Google and others are actively digitizing millions of books in our nation's libraries; digital paper is about to arrive, promising wholly new kinds of reading devices beyond the clumsy computers and handheld gadgets we now have with us; and we are collectively learning what it means to thrive in this rapidly changing environment.
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    Boston Athenaeum
  • Dominique Browning takes us on a private tour of 35 of the world's most exquisite examples of cutting edge garden design. Astonishing in their range, vibrancy, and attention to detail, many of the featured gardens have never before been shown to the public. From the beautifully undulating hedges created by renowned Belgian designer Jacques Wirtz to the quiet power of Mia Lehrer's California, *The New Garden Paradise* offers readers an exclusive showcase of work, and an introduction to this astonishing world of landscape design. During the last decade, the gardening world has benefited from an exceptionally talented pool of landscape designers. In the midst of a healthy economy, the results in innovative garden design have been unrivaled in the past 100 years.
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    Boston Athenaeum
  • Lewis Dabney lectures on his new book, Edmund Wilson: A Life in Literature. From the Jazz Age through the McCarthy Era, Edmund Wilson (1895-1972) stood at the center of the American cultural scene. In his own youth a crucial champion of the young Ernest Hemingway and F. Scott Fitzgerald, Wilson went on to write three classics of literary and intellectual history (Axel's Castle, To the Finland Station, and Patriotic Gore), searching reportage, and criticism that has outlasted many of its subjects. Wilson documented his unruly private life, a formative love affair with Edna St Vincent Millay, a tempestuous marriage to Mary McCarthy, and volatile friendships with Fitzgerald and Vladimir Nabokov, among others, in fiction and journals, but Lewis Dabney is the first writer to integrate the life and the work.
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    Boston Athenaeum
  • Simon Winchester discusses the Great California Earthquake of 1906, which he has written about extensively in his new book, A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Simon Winchester, who has brought the unlikely subject of geology to the literary forefront in his national bestsellers Krakatoa and The Map That Changed the World, now shines his literary light on the most dramatic natural calamity in US history in A Crack in the Edge of the World: America and the Great California Earthquake of 1906. Using the devastating 7.9 quake that struck the bustling city of San Francisco as a narrative springboard, Winchester offers a panoramic blend of history and science that captures the "savage interruption" and its destructive aftermath with gripping immediacy. Winchester explores the global geology that jolted the Earth awake on the fateful day and suggests why it certainly will happen again.
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    Boston Athenaeum
  • Michael Novak, one of the country's leading conservative thinkers, offers the first in-depth look at the religious life of George Washington. Washington has long been viewed as the patron saint of secular government, but Novak's new book *Washington's God* reveals that it was Washington's strong faith in divine Providence that gave meaning and force to his monumental life. Narrowly escaping a British trap during the Battle of Brooklyn, Washington did not credit his survival to courage or tactical expertise; he blamed himself for marching his men into seemingly certain doom and marveled at the Providence that delivered them. Throughout his career, Washington remained convinced that America's liberty was dependent on faithfulness to God's will and trust in Providence. *Washington's God* shows him not only as a man of resource, strength, and virtue, but also as a man with deeply religious values. This new presentation of Washington will bring him into today's debates about the role of faith in government and will challenge much we thought we knew about the inner life of the father of our country.
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    Boston Athenaeum
  • Before the age of electronic media, Saturday morning television, and weekend getaways, there was Joseph Pulitzer's *New York World* newspaper. The Sunday edition in particular was a visual feast of color caricatures, full-page cartoons, disaster drawings, fictional illustrations, hand-lettered typography, weird science, halftone photographs, maps and more amidst the graphic, often muckraking news. For *The World on Sunday*, Baker and his coauthor and wife, Margaret Brentano, have selected 144 of the finest examples of period reporting, bold and playful graphic design, comic strips, and society pieces. Baker's introductory essay argues for the significance and beauty of Pulitzer's paper, and Brentano's detailed captions and notes accompany the colorful reproductions throughout the volume. Athenæum member Nicholson Baker has published seven novels and three works of nonfiction, including *Double Fold: Libraries and the Assault on Paper*, which won the National Book critics Circle Award for nonfiction in 2001. He is a regular contributor to *The New Yorker* and the *New York Review of Books*.
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    Boston Athenaeum
  • Myriam Cyr makes the case that the nun, Mariana Alcoforado, is indeed the author of one of the great literary masterpieces of the 17th century, *Portuguese Letters*. Mariana's story is one of the most moving in the history of forbidden love. In 1669, a Parisian bookseller published a slim volume called *Portuguese Letters*, which unveiled a love affair between a young Portuguese nun and a French officer that had occurred a few years earlier during a chaotic and war torn period in Portugal. The book contained passionate love letters the nun had written when the officer was forced to return to France. The letters took Paris by storm. They spoke of love in a manner so direct, so precise, and so raw that they sent shivers of recognition through the sophisticated strata of polite society. Through the centuries they have captured the hearts of poets and painters alike and retain all of their beauty and power today. Stendhal said "one has not loved until they have loved like the Portuguese nun." Braque and Matisse tried to imagine her. As remarkable as the letters are, they are rivaled by the mystery that surrounds them. Scholars debate whether a Portuguese nun could have written words of such stunning truth and beauty preferring to believe that a French aristocrat wrote the letters in answer to a dare.
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    Boston Athenaeum
  • Steven Kendrick and Paul Kendrick discuss the 1847 Massachusetts Supreme Court case of schoolgirl Sarah Roberts, and the lasting impact it made in American history. In 1847, on windswept Beacon Hill, a 5-year-old girl named Sarah Roberts was forced to walk past five white schools to attend the poor and densely crowded black school. Her father, Benjamin, sued the city of Boston on her behalf, turning to 24-year-old Robert Morris, the first black attorney to win a jury case in America. Together with young lawyer Charles Sumner, this legal team forged a powerful argument against school segregation that has reverberated down through American history in a direct legal line to Brown v. Board of Education. When the Massachusetts Supreme Judicial Court ruled against Sarah Roberts, Chief Justice Shaw created the concept of "separate but equal", an idea that effected every aspect of American life until it was overturned 100 years later by Thurgood Marshall.
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    Boston Athenaeum
  • Grant Romer, curator of the Addison Gallery of American Art's "Daguerreotypes of Southworth & Hawes" exhibition, shows how new research has revealed that the architecture of the renowned Tremont Row studio played a highly significant role in the development of the distinctive style of the partnership. With ample illustrations, he recounts how this understanding of the physical space was reconstructed and demonstrates how much it has added to appreciating the artistry of these acknowledged masters of early photography. Romer's acclaimed exhibition "Young America: The Daguerreotypes of Southworth & Hawes" offers an unparalleled opportunity to view 150 perfectly illuminated daguerreotypes created by the famous Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes. Through their lens we come face to face with great statesman, intellectuals, and celebrities, glimpse intimate family portraits, and examine the very bricks and clouds of the mid-19th century.
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    Boston Athenaeum
  • Writer Adam Nicholson discusses his nautical adventure around the British Isles that lead to his book, Seamanship: A Voyage Along the Wild Coasts of the British Isles In the winter of 2003, Adam Nicholson embarked on the sea voyage of his wildest imaginings. In the company of George Fairhurst, an experienced skipper with half a million sea miles under his belt, Nicholson navigated the often unforgiving coastal waters of western Ireland and Scotland, visiting the outer reaches of the British Isles. The months-long expedition on a 42-foot ketch tested their mettle, both as sailors and as men, as they faced fierce weather, fickle currents, and their own resolution and limitations. **Adam Nicholson** grew up in Sissinghurst Castle in Kent, the family home of his grandparents Vita Sackville-West and Harold Nicholson. He was educated at Eton and at Magdalene College at Cambridge. After university, he became a travel writer and won the Somerset Maugham Award for Frontiers, about a journey through Eastern Europe. In the mid-eighties Nicholson founded Toucan Books, and he served as publishing director for five years. He has since joined the London Daily Telegraph as a columnist. He is the author of Wetland Life in the Somerset Levels, which won the British Topography Prize; Restoration; God's Secretaries: The Making of the King James Bible; and Sea Room, which was short-listed for the Duff Cooper Prize. Nicholson lives on a small beef and sheep farm in Sussex with his wife and five children.
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    Boston Athenaeum