From historic Emmy wins, to Beyoncé's country snub: Are award shows actually diversifying?
Our pop culture experts discuss the Emmys, Beyoncé's CMAs snub, Diddy's arrest, Kendrick Lamar's Super Bowl announcement and the deaths of three entertainment legends.
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RoxFilm showcases people of color’s stories of love, fear and comedy
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Why Pride Month still matters
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BAMS Fest highlights local and national artists, showcasing Boston’s rich cultural heritage
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Boston’s cricket craze continues as the US co-hosts Men’s T20 World Cup
For the first time, the U.S. is co-hosting the Men’s World Cup with the West Indies. Just another indication of the growing enthusiasm in America for cricket, the second most popular sport in the world after soccer.
Under the Radar podcast
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From historic Emmy wins, to Beyoncé's country snub: Are award shows actually diversifying?
Our pop culture experts are back! After two Emmy ceremonies just this year, could the excellence in television award show be leading the charge on Hollywood’s diversity efforts? Meanwhile, the Country Music Awards have snubbed Beyonce, who received zero nominations for her critically acclaimed and record-breaking country album, “Cowboy Carter.” Plus, Kendrick Lamar scores the Super Bowl halftime show, the shocking charges behind Sean “Diddy” Combs’s arrest and bidding farewell to three titans of entertainment: James Earl Jones, Tito Jackson and Frankie Beverly. -
‘Morning Pages’ tells a play-within-a-play story of a woman figuring out her many life roles
Author Kate Feiffer’s first adult novel “Morning Pages” is a play within a play: the main character is a playwright and much of her internal dialogue is on the page as scenes from a play. Moreover, she’s turned to a popular daily artist’s exercise to jumpstart her imagination. It’s fair to say that “Morning Pages” is pretty meta. All that as the fictional Elise Hellman is caught in a life’s passage tending to the needs of an aging mother and a teenage son. “Morning Pages” is our September selection for “Bookmarked: The Under the Radar Book Club.” -
10 years before Garrity, Bostonians attempted to desegregate schools in city's 'true civil rights movement'
In 1964, Wendell Arthur Garrity was United States Attorney for the District of Massachusetts – not yet a judge on the District Court of Massachusetts. Ruth Batson was a frustrated parent and civil rights activist – not yet director of Boston’s Metropolitan Council for Educational Opportunity, or Metco, the voluntary desegregation program. Louise Day Hicks was a member of Boston’s School Board – not yet the leader of ROAR: Restore Our Alienated Rights – and the face of white opposition to the integration of Boston Public Schools. Ten years later, they would all be major players in the battle to desegregate Boston Public Schools. As the city marks 50 years since Judge Garrity’s ruling on busing, we consider the importance of the period before busing – a time expert Zebulon Miletsky refers to as Boston’s ‘true civil rights movement.’ -
50 years after busing, two sisters confront their trauma in new GBH documentary
In September, 1974 – two days after her 14th birthday – Leola Hampton boarded a school bus that would launch her into the heart of one of the most divisive and defining moments in Boston history: court-ordered school desegregation. She and her older sister, Linda Stark, were bused from their home in the predominantly Black neighborhood of Roxbury into the white, working-class neighborhood of South Boston. They navigated a violent and virulently racist high school experience so scarring that a half-century later, they are only now beginning to discuss it with each other. In a new documentary called “‘Never Cried’: Boston’s Busing Legacy,” produced by GBH News’ Emily Judem and Stephanie Leydon, Leola and Linda, along with their family and experts in local history and trauma, share their story. -
Arrowfest kicks off grand opening of new Arrow Street Arts center in former Oberon space
For 10 years, Oberon – the American Repertory Theater’s second performance space in Cambridge – was known to locals and visitors alike for “The Donkey Show,” a disco rendition of Shakespeare’s “A Midsummer Night’s Dream.” The show closed in 2019, and in 2021, Oberon shuttered, too. Now, a new venue called Arrow Street Arts is taking over the existing space, and it’s kicking off its grand opening in a big way with Arrowfest, a 10-day arts festival showcasing local actors, musicians, dancers, circus performers, puppeteers and more. We speak with Arrowfest’s lead curator and two performers debuting a new work at the festival.