Public records were once seen as the realm of a small group of journalists, academics and activists. But in the last 12 months, the paper trail of democracy—bills, budgets, emails, meeting minutes, court records, and other government-produced documents—has moved steadily into the spotlight. You might even call 2015 The Year Public Records Became Cool.
Since last year’s
Sunshine Week
Murder charge. Police chief sacked. DOJ civil rights investigation. Head of police review authority quits. All this from two FOIAs. #FOIA— Brandon Smith (@muckrakery) December 7, 2015
Public records have infiltrated pop culture, too. The plot of this year’s Oscar-winner for Best Picture, Spotlight,
hinges on one reporter’s ability to obtain court records
Now, I admit, I’m biased about all of this. I’m currently working on
a book about a med-school classmate of my father convicted of prescription drug dealing
But, these days, my passion goes far beyond my book project; I’m an across-the-board public records evangelist. And I’m convinced you should be, too. On one level, public records offer us an unfiltered, primary-source view of how the world works. Check out the U.S.’s
Cold War-era plans to establish martial law in the event of a nuclear attack
At the same time, public records are a canvas for redaction-happy public officials. Whether the files are deadly serious (like Mohamedou Ould Slahi’s
Guantanamo Diary
But public records aren’t just fascinating texts for parsing by English majors and history nerds. (I’m both.) They speak to something coded in our national DNA: the idea that “we the people” can only properly govern ourselves if we’re thoroughly informed of what’s being done in our name and with our tax dollars. The U.S. was born out of public documents (the
Declaration of Independence
And so, this Sunshine Week, I’m cheering the ongoing march of public records into the mainstream. I hope more young people see reporters like Brandon Smith or
VICE’s Jason Leopold
Because, in conversation, “democracy” is just a word. In reality, it’s usually a document.
Philip Eil is a freelance journalist based in Providence. He was the news editor and staff writer at The Providence Phoenix until its close, in October 2014. Since then, his work has appeared in The Atlantic, VICE, Salon, The Jewish Daily Forward, and elsewhere. Follow him on Twitter at @phileil.