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High Museum of Art

The High Museum of Art , founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • The High Museum's Deputy Director Philip Verre discusses *Madonna and Child with Saint Martina* by Pietro da Cortona. His presentation features slides and provides an in-depth look at this treasured work of art from the Louvre.
    Partner:
    High Museum of Art
  • Ann Dumas, a leading independent scholar on Impressionism, talks about the Impressionists dialogue with the art of the past. The popular view of Impressionism is that it broke completely from the artistic traditions of previous centuries. In truth, the Impressionists copied the Old Masters and transformed their motifs and compositions into something completely new.
    Partner:
    High Museum of Art
  • Carol Thompson, Richman Family curator of African art discusses the evolution of the growing African art collection at the High Museum and her vision for the future. Thompson's goal is to create the most significant African art collection in the southeastern United States.
    Partner:
    High Museum of Art
  • David Brenneman, director of collections and exhibitions at Atlanta's High Museum of Art, draws comparisons between Monet's work and the masters of the Dutch landscape tradition, as well as other Old Master traditions. Monet claimed that he was never influenced by the Old Masters; instead, his inspiration came from his own experiences. However, it is clear that he was inspired by the atmospheric expanses of sky and reflections in the surfaces of water depicted in 17th century Dutch landscapes.
    Partner:
    High Museum of Art
  • Julia Forbes lends her expertise to a close-up look at Edgar Degas' *Visit to the Museum*.
    Partner:
    High Museum of Art
  • Jenna Madison gives an in-depth view on the background of French Impressionist Camille Pissarro's painting, *The Maidservant*.
    Partner:
    High Museum of Art
  • Philip Verre discusses *The Tiber*, on loan to Atlanta's High Museum of Art from the Louvre in Paris. The colossal, 10-foot-long sculpture by an unknown artist is one of the largest in the Louvre's collections.
    Partner:
    High Museum of Art
  • Photographers Chip Simone and John McWilliams, personal friends of the late photographer Harry Callahan, joined Julian Cox to discuss the artist and his muse, Eleanor, as teacher and artist, and to feature examples of their own work.
    Partner:
    High Museum of Art
  • Susan Vreeland discusses her latest book, *Luncheon of the Boating Party*, a vivid exploration of one of the most beloved Renoir paintings in the world. With a palette of vibrant characters, Vreeland paints their lives, loves, losses, and triumphs in a brilliant portrait of her own.
    Partner:
    High Museum of Art
  • A panel pays tribute to the musical legacy of James Brown. During the 1960s James Brown gained the titles “Godfather of Soul” and the “Hardest Working Man in Show Business.” Brown's sound reflected the nation's generational struggle, and his influence reached across the Atlantic to Bamako, Mali, where his style and music became a source of inspiration for the growing youth culture. It was this vibrant culture that Malick Sidibe dynamically captured through his photographs.
    Partner:
    High Museum of Art