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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • The Maidservant by Camille Pissarro

    Jenna Madison gives an in-depth view on the background of French Impressionist Camille Pissarro's painting, *The Maidservant*.
    Partner:
    High Museum of Art
  • Visit to the Museum by Edgar Degas

    Julia Forbes lends her expertise to a close-up look at Edgar Degas' *Visit to the Museum*.
    Partner:
    High Museum of Art
  • The Tiber

    Philip Verre discusses *The Tiber*, on loan to Atlanta's High Museum of Art from the Louvre in Paris. The colossal, 10-foot-long sculpture by an unknown artist is one of the largest in the Louvre's collections.
    Partner:
    High Museum of Art
  • Luncheon of the Boating Party

    Susan Vreeland discusses her latest book, *Luncheon of the Boating Party*, a vivid exploration of one of the most beloved Renoir paintings in the world. With a palette of vibrant characters, Vreeland paints their lives, loves, losses, and triumphs in a brilliant portrait of her own.
    Partner:
    High Museum of Art
  • Tribute to James Brown

    A panel pays tribute to the musical legacy of James Brown. During the 1960s James Brown gained the titles “Godfather of Soul” and the “Hardest Working Man in Show Business.” Brown's sound reflected the nation's generational struggle, and his influence reached across the Atlantic to Bamako, Mali, where his style and music became a source of inspiration for the growing youth culture. It was this vibrant culture that Malick Sidibe dynamically captured through his photographs.
    Partner:
    High Museum of Art
  • Exploring Harry and Eleanor Callahan

    Photographers Chip Simone and John McWilliams, personal friends of the late photographer Harry Callahan, joined Julian Cox to discuss the artist and his muse, Eleanor, as teacher and artist, and to feature examples of their own work.
    Partner:
    High Museum of Art
  • American Artists and the Louvre: Morse Gallery

    Paul Staiti speaks about Samuel F.B. Morse in the context of other early nineteenth-century American artists who sought training in Paris, and Jean-Philippe Antoine presents on issues of imitation and reproduction vis-a-vis Morse's inventive painting. Olivier Meslay and Sylvia Yount serve as respondents to the talks.
    Partner:
    High Museum of Art
  • Greta Pratt: Nineteen Lincolns

    Photographer Greta Pratt discusses her interest in historic iconography in America, in particular her monumental work *Nineteen Lincolns*, on view at the Atlanta Contemporary Art Center. *Nineteen Lincolns* documents men who belong to the Association of Lincoln Presenters, a society dedicated to studying and portraying the life of Abraham Lincoln.
    Partner:
    High Museum of Art
  • Diego Velasquez' The Infanta Margarita

    Michael E. Shapiro, the High's Nancy and Holcombe T. Green, Jr. Director, discusses *The Infanta Margarita* by Diego Velasquez. This 30-minute presentation features slides and provides an in-depth look at this treasured work of art from the Louvre.
    Partner:
    High Museum of Art
  • Shifting Meaning: African Art in the World

    New York University professor Susan Vogel, a renowned museum founder and specialist in African art shares her eight-minute film *Fang: An Epic Journey*, which covers the adventures of an African sculpture as it moves from Cameroon in 1910 to America in the 1970s. Vogel discusses the film and the shifting meanings of art objects, first among the Baule of Ivory Coast and then as they appear in the wider world.
    Partner:
    High Museum of Art