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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • *After 1968* artists Otabenga Jones & Associates lead a gallery discussion inspired by their ongoing educational art collaboration. Otabenga Jones & Associates is a Houston-based educational art collaborative named after Ota Benga, a pygmy brought to the United States from Africa in the early 1900s and exhibited at the Bronx Zoo. Jones committed suicide after being released from captivity. The artistic group explores African American identity politics through installation and performance art.
    Partner:
    High Museum of Art
  • Hank Klibanoff, managing editor at *The Atlanta Journal-Constitution* and author of *The Race Beat*; Doris Derby, photographer, educator, and civil rights activist; and Brett Gadsden, assistant professor of African American Studies at Emory University, discuss how the nation's press came to recognize the importance of the civil rights struggle and turn it into the most significant domestic news event of the 20th century. This event is moderated by Julian Cox.
    Partner:
    High Museum of Art
  • Abstract artist Jack Whitten paints a verbal picture of his memorial art, in talking with Stuart Horodner, curator of the Atlanta Contemporary Art Center. For the past 40 years, New York-based painter Jack Whitten has created elaborately constructed abstract paintings, which are conceived to memorialize various cultural figures (artists, musicians, dancers, politicians, writers), family members, and tragic events that have shaped his life. Whitten has studied the historical impulses behind the honoring of the dead (in various cultures through time) and he has developed a contribution to the notion of abstraction and representation.
    Partner:
    High Museum of Art
  • Stephane Martin, director of the newly reopened Quai Branly Museum, discusses the Paris facility. It is called an ethnographic museum, providing possibilities to put on display numerous works and the cultures from which they come. The museum includes a study and research center, library, theater, and concert hall.
    Partner:
    High Museum of Art
  • Gregory Heisler, award winning photographer, discusses Arnold Newman and the impact that he and his work have had on photography. Heisler is a commercial photographer with 70 *Time* magazine covers to his credit. This event is presented in collaboration with Atlanta Celebrates Photography.
    Partner:
    High Museum of Art
  • Christopher Bucklow talks about his widely known photographic silhouettes made using a pinhole camera. He is also known for the ongoing series of paintings that stem from those photographs. His work is included in the collections of many museums across the US. This event is presented in cooperation with Atlanta Celebrates Photography.
    Partner:
    High Museum of Art
  • Julia Forbes, head of museum interpretation for the High Museum of Art, shares a glimpse into *The First Emperor: The Terracotta Army of China*, an exhibition inspired by one of the greatest archaeological discoveries of the 20th century. The exhibition represents one of the largest groups of works relating to the First Emperor ever to be loaned to the US by the Museum of the Terracotta Army and the Cultural Relics Bureau of Shaanxi Province in Xian, China. This event is hosted by The Englishman Gallery of Atlanta and the Culture Club.
    Partner:
    High Museum of Art
  • Baldassare Castiglione, a literary genius, astute diplomat, and military captain defined the term 'Renaissance Man'. Through his best selling *Book of the Courtier*, he taught countless generations of European aristocrats how to be cool, calm, and collected. Syracuse University Professor and Italian art expert Gary Radke discusses Castiglione, his masterful portrait by Raphael, and the world in which they both lived.
    Partner:
    High Museum of Art
  • David Brenneman, chief curator of the High Museum of Art, discusses one of the Renaissance's most important portraits, Raphael's Portrait of Baldassare Castiglione.
    Partner:
    High Museum of Art
  • Who's Afraid of Morris Louis? is an educational program developed by the High Museum of Art and the Atlanta Contemporary Art Center to celebrate their collaboration on two upcoming exhibitions: the High museum's *Morris Louis Now: An American Master Revisited* and the response it inspired at the ACAC, *Louis Morris*. This program examines the work of Morris Louis and the legacy it engendered, specifically issues of painting developed from abstraction in the 1950s and 60s, including performative processes, diverse mediums, color, gesture and scale. The evening begins with a tour of *Morris Louis Now*, led by Wieland Family Curator of Modern & Contemporary Art, Jeffrey Grove and is followed by presentations by artists Karl Erickson, Sarah Bramen, and Phil Grauer, each of whom is featured in the exhibition at the ACAC. The conversation and questions are moderated by ACAC curator Stuart Horodner.
    Partner:
    High Museum of Art