What matters to you.
0:00
0:00
NEXT UP:
 
Top

Forum Network

Free online lectures: Explore a world of ideas

Funding provided by:
HighMuseum.gif

High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Independent scholar, writer, lecturer and critic Susan Todd-Raque discusses the growing enthusiasm for collecting photography and why it is the perfect medium for such a passion.
    Partner:
    High Museum of Art
  • Morris Louis made some of his most brilliant paintings, the series of canvases called the 'Unfurleds,' between early summer 1960 and late spring 1961, a period coinciding with John F. Kennedy's campaign, election, inauguration, and first few months in office. Alexander Nemerov examines one of the greatest of the 'Unfurleds,' the large painting called *Alpha Tau* in relation to the Kennedy White House.
    Partner:
    High Museum of Art
  • Architect Renzo Piano speaks about the three new buildings he designed which more than double the Museum's size to 312,000 square feet. Piano's work is allowing the High to display more of its growing collection, increase educational and exhibition programs, and offer new visitor amenities to address the needs of larger and more diverse audiences.
    Partner:
    High Museum of Art
  • David Brenneman, chief curator of the High Museum of Art, discusses one of the Renaissance's most important portraits, Raphael's Portrait of Baldassare Castiglione.
    Partner:
    High Museum of Art
  • Paul Staiti speaks about Samuel F.B. Morse in the context of other early nineteenth-century American artists who sought training in Paris, and Jean-Philippe Antoine presents on issues of imitation and reproduction vis-a-vis Morse's inventive painting. Olivier Meslay and Sylvia Yount serve as respondents to the talks.
    Partner:
    High Museum of Art
  • Photographer Greta Pratt discusses her interest in historic iconography in America, in particular her monumental work *Nineteen Lincolns*, on view at the Atlanta Contemporary Art Center. *Nineteen Lincolns* documents men who belong to the Association of Lincoln Presenters, a society dedicated to studying and portraying the life of Abraham Lincoln.
    Partner:
    High Museum of Art
  • Baldassare Castiglione, a literary genius, astute diplomat, and military captain defined the term 'Renaissance Man'. Through his best selling *Book of the Courtier*, he taught countless generations of European aristocrats how to be cool, calm, and collected. Syracuse University Professor and Italian art expert Gary Radke discusses Castiglione, his masterful portrait by Raphael, and the world in which they both lived.
    Partner:
    High Museum of Art
  • Michael E. Shapiro, the High's Nancy and Holcombe T. Green, Jr. Director, discusses *The Infanta Margarita* by Diego Velasquez. This 30-minute presentation features slides and provides an in-depth look at this treasured work of art from the Louvre.
    Partner:
    High Museum of Art
  • New York University professor Susan Vogel, a renowned museum founder and specialist in African art shares her eight-minute film *Fang: An Epic Journey*, which covers the adventures of an African sculpture as it moves from Cameroon in 1910 to America in the 1970s. Vogel discusses the film and the shifting meanings of art objects, first among the Baule of Ivory Coast and then as they appear in the wider world.
    Partner:
    High Museum of Art
  • Caroline Weber tells the story of how Marie-Antoinette's clothing choices helped make and unmake her reputation, altering the very course of French history. Weber, author of *Queen of Fashion: What Marie-Antoinette Wore to the Revolution*, presents a new vision of this ever-fascinating French queen. Like Princess Diana and Jacqueline Onassis, Marie-Antoinette was an icon of style, a muse of fashion, a woman who used clothing to command attention.
    Partner:
    High Museum of Art