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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • David Brenneman, director of collections and exhibitions at Atlanta's High Museum of Art, draws comparisons between Monet's work and the masters of the Dutch landscape tradition, as well as other Old Master traditions. Monet claimed that he was never influenced by the Old Masters; instead, his inspiration came from his own experiences. However, it is clear that he was inspired by the atmospheric expanses of sky and reflections in the surfaces of water depicted in 17th century Dutch landscapes.
    Partner:
    High Museum of Art
  • Jenna Madison gives an in-depth view on the background of French Impressionist Camille Pissarro's painting, *The Maidservant*.
    Partner:
    High Museum of Art
  • Julia Forbes lends her expertise to a close-up look at Edgar Degas' *Visit to the Museum*.
    Partner:
    High Museum of Art
  • Philip Verre discusses *The Tiber*, on loan to Atlanta's High Museum of Art from the Louvre in Paris. The colossal, 10-foot-long sculpture by an unknown artist is one of the largest in the Louvre's collections.
    Partner:
    High Museum of Art
  • Photographers Chip Simone and John McWilliams, personal friends of the late photographer Harry Callahan, joined Julian Cox to discuss the artist and his muse, Eleanor, as teacher and artist, and to feature examples of their own work.
    Partner:
    High Museum of Art
  • Susan Vreeland discusses her latest book, *Luncheon of the Boating Party*, a vivid exploration of one of the most beloved Renoir paintings in the world. With a palette of vibrant characters, Vreeland paints their lives, loves, losses, and triumphs in a brilliant portrait of her own.
    Partner:
    High Museum of Art
  • A panel pays tribute to the musical legacy of James Brown. During the 1960s James Brown gained the titles “Godfather of Soul” and the “Hardest Working Man in Show Business.” Brown's sound reflected the nation's generational struggle, and his influence reached across the Atlantic to Bamako, Mali, where his style and music became a source of inspiration for the growing youth culture. It was this vibrant culture that Malick Sidibe dynamically captured through his photographs.
    Partner:
    High Museum of Art
  • Julia Forbes, head of museum interpretation for the High Museum of Art, shares a glimpse into *The First Emperor: The Terracotta Army of China*, an exhibition inspired by one of the greatest archaeological discoveries of the 20th century. The exhibition represents one of the largest groups of works relating to the First Emperor ever to be loaned to the US by the Museum of the Terracotta Army and the Cultural Relics Bureau of Shaanxi Province in Xian, China. This event is hosted by The Englishman Gallery of Atlanta and the Culture Club.
    Partner:
    High Museum of Art
  • Baldassare Castiglione, a literary genius, astute diplomat, and military captain defined the term 'Renaissance Man'. Through his best selling *Book of the Courtier*, he taught countless generations of European aristocrats how to be cool, calm, and collected. Syracuse University Professor and Italian art expert Gary Radke discusses Castiglione, his masterful portrait by Raphael, and the world in which they both lived.
    Partner:
    High Museum of Art
  • Julian Cox addresses the prevailing taste for large scale images, and considers the choices that photographers make when determining the size of their prints. Julian Cox organized the exhibition New Photography, which was on view in the High Museum's Wieland pavilion from July 15 through October 1, 2006.
    Partner:
    High Museum of Art