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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Akela Reason discusses *Masterpiece of the Month* talks by Samuel F. B. Morse.
    Partner:
    High Museum of Art
  • The High Museum's Deputy Director Philip Verre discusses *Madonna and Child with Saint Martina* by Pietro da Cortona. His presentation features slides and provides an in-depth look at this treasured work of art from the Louvre.
    Partner:
    High Museum of Art
  • Julian Cox addresses the prevailing taste for large scale images, and considers the choices that photographers make when determining the size of their prints. Julian Cox organized the exhibition New Photography, which was on view in the High Museum's Wieland pavilion from July 15 through October 1, 2006.
    Partner:
    High Museum of Art
  • Independent scholar, writer, lecturer and critic Susan Todd-Raque discusses the growing enthusiasm for collecting photography and why it is the perfect medium for such a passion.
    Partner:
    High Museum of Art
  • Morris Louis made some of his most brilliant paintings, the series of canvases called the 'Unfurleds,' between early summer 1960 and late spring 1961, a period coinciding with John F. Kennedy's campaign, election, inauguration, and first few months in office. Alexander Nemerov examines one of the greatest of the 'Unfurleds,' the large painting called *Alpha Tau* in relation to the Kennedy White House.
    Partner:
    High Museum of Art
  • Paul Staiti speaks about Samuel F.B. Morse in the context of other early nineteenth-century American artists who sought training in Paris, and Jean-Philippe Antoine presents on issues of imitation and reproduction vis-a-vis Morse's inventive painting. Olivier Meslay and Sylvia Yount serve as respondents to the talks.
    Partner:
    High Museum of Art
  • Photographer Greta Pratt discusses her interest in historic iconography in America, in particular her monumental work *Nineteen Lincolns*, on view at the Atlanta Contemporary Art Center. *Nineteen Lincolns* documents men who belong to the Association of Lincoln Presenters, a society dedicated to studying and portraying the life of Abraham Lincoln.
    Partner:
    High Museum of Art
  • Michael E. Shapiro, the High's Nancy and Holcombe T. Green, Jr. Director, discusses *The Infanta Margarita* by Diego Velasquez. This 30-minute presentation features slides and provides an in-depth look at this treasured work of art from the Louvre.
    Partner:
    High Museum of Art
  • The High Museum's Susan Crawley, associate curator of folk art, moderates a panel discussion inspired by Carol Crown and Charles Russell's recent publication *Sacred and Profane: Voice and Vision in Southern Self-Taught Art*. Noted scholars discuss self-taught art in a cultural context.
    Partner:
    High Museum of Art
  • Jane Prophet, a British artist who works across disciplines to create internationally acclaimed projects that have broken new ground in art, technology, and science, discusses her artwork. **Jane Prophet**'s work, which includes large-scale installations, digital print, Websites and CD-ROMs, reflects her interest in complexity theory, landscape and artificial life. Among her past projects are the award-winning website, *TechnoSphere*, and *The Landscape Room*, an installation that combines photographs with computer-simulated landscapes. In October 2006, she completed a solo show at Paco das Artes, which coincided with the Sao Paulo Biennale.
    Partner:
    High Museum of Art