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Free online lectures: Explore a world of ideas

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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Independent scholar Lisa Kurzner discusses Alfred Stieglitz's photographs of artist Georgia O'Keeffe. Educated in Berlin, Stieglitz studied engineering and photography before returning to the US at the turn of the century and opening the 291 gallery. He pioneered the art of photography, and single-handedly introduced America to the works of Picasso, Matisse, and Cezanne at the gallery. Stieglitz took more than 300 portraits of O'Keeffe between 1918 and 1937. Most of the more erotic poses would be in the first few years of their marriage.
    Partner:
    High Museum of Art
  • Artists Adam Pendleton, Nadine Robinson, Jefferson Pinder, Jeffrey Grove, and Hank Willis Thomas, along with Kenya Evans and Jabari Anderson of Otabenga Jones & Associates, discuss their participation in the exhibit *After 1968: Contemporary Artists and the Civil Rights Legacy*. The exhibit and their art reconsider the pivotal time in American history and explores its relevancy to and influence on a new generation.
    Partner:
    High Museum of Art
  • Artist, educator, historian, curator, and humanitarian David C. Driskell talks about his southern upbringing, his education in at Howard and Catholic Universities, and the many people with whom his life has intersected. He discusses artists Romare Bearden and Jacob Lawrence, and how they helped to set the stage for Driskell's remarkably productive and influential life.
    Partner:
    High Museum of Art
  • Photography expert Lisa Kurzner leads a discussion on *Through the Spyglass: Politics and Play in Street Photography, 1960 to the Present*. The conversation covers the history of street photography and its place in the political landscape of the Vietnam era. Kurzner discusses Garry Winogrand, Susan Meiselas and Danny Lyon, as well as ideas of surveillance and voyeurism in photography.
    Partner:
    High Museum of Art
  • Eric Vigner, Isma'il Ibn Conner, and Del Hamilton discuss the US Koltes Project, a 10 year undertaking created in order to translate and produce six of Bernard-Marie Koltes' plays, and continue the artistic legacy of the French playwright.
    Partner:
    High Museum of Art
  • Christopher Johns explores Napoleon and Josephine's interest in neoclassical art, their collaborations with the designers Percier and Fontaine, and the impact of important archaeological discoveries such as Herculaneum and Pompeii on the taste of their time. Jeffrey Collins discusses the popularity of the French Empire style, its importance in the Western world, and its influence on American furniture design.
    Partner:
    High Museum of Art
  • Gregory Heisler, award winning photographer, discusses Arnold Newman and the impact that he and his work have had on photography. Heisler is a commercial photographer with 70 *Time* magazine covers to his credit. This event is presented in collaboration with Atlanta Celebrates Photography.
    Partner:
    High Museum of Art
  • Paul Staiti speaks about Samuel F.B. Morse in the context of other early nineteenth-century American artists who sought training in Paris, and Jean-Philippe Antoine presents on issues of imitation and reproduction vis-a-vis Morse's inventive painting. Olivier Meslay and Sylvia Yount serve as respondents to the talks.
    Partner:
    High Museum of Art
  • Dr. Vishakha N. Desai focuses on a selection of artists from China and India and discusses their work in the context of a changing world order while examining their roots in traditional art practices.
    Partner:
    High Museum of Art
  • Dr. Richard A. Long speaks about the Harlem Renaissance of the 1920s, which has been the subject of much discussion and reflection over the past three decades. One of the most important aspects of the Harlem Renaissance was the connection to Paris, France. Many of its prominent figures, including Alain Locke, Langston Hughes, and Claude McKay were connected to Paris in various ways. Also significant is the impact of jazz, as exemplified by the music of Duke Ellington and Louis Armstrong. The personality of Josephine Baker, whose centenary has just been observed, is another major element in the Harlem-Paris axis. Dr. Long considers all of these factors as well as the presence of the visual arts in the equation.
    Partner:
    High Museum of Art