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High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • Street Photography

    Photography expert Lisa Kurzner leads a discussion on *Through the Spyglass: Politics and Play in Street Photography, 1960 to the Present*. The conversation covers the history of street photography and its place in the political landscape of the Vietnam era. Kurzner discusses Garry Winogrand, Susan Meiselas and Danny Lyon, as well as ideas of surveillance and voyeurism in photography.
    Partner:
    High Museum of Art
  • The Koltes Project

    Eric Vigner, Isma'il Ibn Conner, and Del Hamilton discuss the US Koltes Project, a 10 year undertaking created in order to translate and produce six of Bernard-Marie Koltes' plays, and continue the artistic legacy of the French playwright.
    Partner:
    High Museum of Art
  • The Empire Style of France

    Christopher Johns explores Napoleon and Josephine's interest in neoclassical art, their collaborations with the designers Percier and Fontaine, and the impact of important archaeological discoveries such as Herculaneum and Pompeii on the taste of their time. Jeffrey Collins discusses the popularity of the French Empire style, its importance in the Western world, and its influence on American furniture design.
    Partner:
    High Museum of Art
  • Julia Forbes: The First Emperor

    Julia Forbes, head of museum interpretation for the High Museum of Art, shares a glimpse into *The First Emperor: The Terracotta Army of China*, an exhibition inspired by one of the greatest archaeological discoveries of the 20th century. The exhibition represents one of the largest groups of works relating to the First Emperor ever to be loaned to the US by the Museum of the Terracotta Army and the Cultural Relics Bureau of Shaanxi Province in Xian, China. This event is hosted by The Englishman Gallery of Atlanta and the Culture Club.
    Partner:
    High Museum of Art
  • Castiglione: Art of Being a Renaissance Man

    Baldassare Castiglione, a literary genius, astute diplomat, and military captain defined the term 'Renaissance Man'. Through his best selling *Book of the Courtier*, he taught countless generations of European aristocrats how to be cool, calm, and collected. Syracuse University Professor and Italian art expert Gary Radke discusses Castiglione, his masterful portrait by Raphael, and the world in which they both lived.
    Partner:
    High Museum of Art
  • Thoughts on Large Format Photography

    Julian Cox addresses the prevailing taste for large scale images, and considers the choices that photographers make when determining the size of their prints. Julian Cox organized the exhibition New Photography, which was on view in the High Museum's Wieland pavilion from July 15 through October 1, 2006.
    Partner:
    High Museum of Art
  • Photography: Inspired Collecting

    Independent scholar, writer, lecturer and critic Susan Todd-Raque discusses the growing enthusiasm for collecting photography and why it is the perfect medium for such a passion.
    Partner:
    High Museum of Art
  • Morris Louis: Court Painter of the Kennedy Era

    Morris Louis made some of his most brilliant paintings, the series of canvases called the 'Unfurleds,' between early summer 1960 and late spring 1961, a period coinciding with John F. Kennedy's campaign, election, inauguration, and first few months in office. Alexander Nemerov examines one of the greatest of the 'Unfurleds,' the large painting called *Alpha Tau* in relation to the Kennedy White House.
    Partner:
    High Museum of Art
  • Winslow Homer's Watercolors: Markers in a Life Journey

    Elizabeth Johns discusses the relationship of Homer's watercolors and some of his oils to his life's journey.
    Partner:
    High Museum of Art
  • Who's Afraid of Morris Louis?

    Who's Afraid of Morris Louis? is an educational program developed by the High Museum of Art and the Atlanta Contemporary Art Center to celebrate their collaboration on two upcoming exhibitions: the High museum's *Morris Louis Now: An American Master Revisited* and the response it inspired at the ACAC, *Louis Morris*. This program examines the work of Morris Louis and the legacy it engendered, specifically issues of painting developed from abstraction in the 1950s and 60s, including performative processes, diverse mediums, color, gesture and scale. The evening begins with a tour of *Morris Louis Now*, led by Wieland Family Curator of Modern & Contemporary Art, Jeffrey Grove and is followed by presentations by artists Karl Erickson, Sarah Bramen, and Phil Grauer, each of whom is featured in the exhibition at the ACAC. The conversation and questions are moderated by ACAC curator Stuart Horodner.
    Partner:
    High Museum of Art