What matters to you.
0:00
0:00
NEXT UP:
 
Top

Forum Network

Free online lectures: Explore a world of ideas

Funding provided by:
HighMuseum.gif

High Museum of Art

The High Museum of Art, founded in 1905 as the Atlanta Art Association, is the leading art museum in the Southeastern United States. With over 11,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th- and 20th-century American art; significant holdings of European paintings and decorative art; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography and African art. The High is also dedicated to supporting and collecting works by Southern artists and is distinguished as the only major museum in North America to have a curatorial department specifically devoted to the field of folk and self-taught art. The High's Media Arts department produces acclaimed annual film series and festivals of foreign, independent and classic cinema.

http://www.high.org/

  • New York University professor Susan Vogel, a renowned museum founder and specialist in African art shares her eight-minute film *Fang: An Epic Journey*, which covers the adventures of an African sculpture as it moves from Cameroon in 1910 to America in the 1970s. Vogel discusses the film and the shifting meanings of art objects, first among the Baule of Ivory Coast and then as they appear in the wider world.
    Partner:
    High Museum of Art
  • Caroline Weber tells the story of how Marie-Antoinette's clothing choices helped make and unmake her reputation, altering the very course of French history. Weber, author of *Queen of Fashion: What Marie-Antoinette Wore to the Revolution*, presents a new vision of this ever-fascinating French queen. Like Princess Diana and Jacqueline Onassis, Marie-Antoinette was an icon of style, a muse of fashion, a woman who used clothing to command attention.
    Partner:
    High Museum of Art
  • Dr. Vishakha N. Desai focuses on a selection of artists from China and India and discusses their work in the context of a changing world order while examining their roots in traditional art practices.
    Partner:
    High Museum of Art
  • Dr. Richard A. Long speaks about the Harlem Renaissance of the 1920s, which has been the subject of much discussion and reflection over the past three decades. One of the most important aspects of the Harlem Renaissance was the connection to Paris, France. Many of its prominent figures, including Alain Locke, Langston Hughes, and Claude McKay were connected to Paris in various ways. Also significant is the impact of jazz, as exemplified by the music of Duke Ellington and Louis Armstrong. The personality of Josephine Baker, whose centenary has just been observed, is another major element in the Harlem-Paris axis. Dr. Long considers all of these factors as well as the presence of the visual arts in the equation.
    Partner:
    High Museum of Art
  • David Brenneman, chief curator of the High Museum of Art, discusses one of the Renaissance's most important portraits, Raphael's Portrait of Baldassare Castiglione.
    Partner:
    High Museum of Art
  • Hank Klibanoff, managing editor at *The Atlanta Journal-Constitution* and author of *The Race Beat*; Doris Derby, photographer, educator, and civil rights activist; and Brett Gadsden, assistant professor of African American Studies at Emory University, discuss how the nation's press came to recognize the importance of the civil rights struggle and turn it into the most significant domestic news event of the 20th century. This event is moderated by Julian Cox.
    Partner:
    High Museum of Art
  • Abstract artist Jack Whitten paints a verbal picture of his memorial art, in talking with Stuart Horodner, curator of the Atlanta Contemporary Art Center. For the past 40 years, New York-based painter Jack Whitten has created elaborately constructed abstract paintings, which are conceived to memorialize various cultural figures (artists, musicians, dancers, politicians, writers), family members, and tragic events that have shaped his life. Whitten has studied the historical impulses behind the honoring of the dead (in various cultures through time) and he has developed a contribution to the notion of abstraction and representation.
    Partner:
    High Museum of Art
  • Stephane Martin, director of the newly reopened Quai Branly Museum, discusses the Paris facility. It is called an ethnographic museum, providing possibilities to put on display numerous works and the cultures from which they come. The museum includes a study and research center, library, theater, and concert hall.
    Partner:
    High Museum of Art
  • *After 1968* artists Otabenga Jones & Associates lead a gallery discussion inspired by their ongoing educational art collaboration. Otabenga Jones & Associates is a Houston-based educational art collaborative named after Ota Benga, a pygmy brought to the United States from Africa in the early 1900s and exhibited at the Bronx Zoo. Jones committed suicide after being released from captivity. The artistic group explores African American identity politics through installation and performance art.
    Partner:
    High Museum of Art
  • Christopher Bucklow talks about his widely known photographic silhouettes made using a pinhole camera. He is also known for the ongoing series of paintings that stem from those photographs. His work is included in the collections of many museums across the US. This event is presented in cooperation with Atlanta Celebrates Photography.
    Partner:
    High Museum of Art