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Harvard Du Bois Institute

The W.E.B. Du Bois Institute for Afro-American Research at Harvard University is the nation's oldest research center dedicated to the study of the history, culture, and social institutions of Africans and African Americans. Founded in 1975, the Institute serves as the site for research projects, fellowships for emerging and established scholars, publications, conferences, and working groups. Named after the first African American to receive a Ph.D. from Harvard (1895), the Du Bois Institute also sponsors four major lecture series each year and serves as the co-sponsor for numerous public conferences, lectures, readings, and forums.break

http://dubois.fas.harvard.edu/

  • Authors Elizabeth Alexander, *Antebellum Dream Book*, and Suzan-Lori Parks *The Death of the Last Black Man in the Whole Entire World*, read from their work.
    Partner:
    Harvard Du Bois Institute
  • Political activist Angela Davis talks about abolitionism and human rights in the United States.
    Partner:
    Harvard Du Bois Institute
  • The W. E. B. Du Bois Institute at Harvard University celebrates the centennial of a pivotal publication by inviting the public to hear writers, critics, and members of Harvard's faculty and administration read some of the many memorable passages from The Souls of Black Folk. The Souls of Black Folk by W. E. B. Du Bois was published by A. C. McClurg & Co. in Chicago on April 18, 1903. One hundred years later, many still consider this series of essays to be the most influential book written by an African American in the 20th century. Du Bois was the first black man to receive a PhD from Harvard University and was one of the earliest founding members of the NAACP.
    Partner:
    Harvard Du Bois Institute
  • Charlayne Hunter-Gualt discusses the current state of Africa. **Charlayne Hunter-Gualt** is best known as the former National Correspondent for PBS's MacNeil/Lehrer NewsHour, where she reported from 1978 to 1997, Hunter-Gault has been bureau chief of CNN International in Johannesburg, South Africa since 1998. Her first job in journalism began in 1963 as a "Talk of the Town" reporter for The New Yorker, and in 1968, she joined the staff of the New York Times as a metropolitan reporter. At The New Yorker and the Times, she specialized in urban affairs, with a focus on the African-American community. As a broadcast journalist, Hunter-Gault has continued to cover domestic urban issues and has also reported from Grenada, the Middle East, and South Africa. For her work on the MacNeil/Lehrer NewsHour 1986 series Apartheid's People, Hunter-Gault received one of journalism's highest honors, the George Foster Peabody Broadcast Award for Excellence in Broadcast Journalism. That year, she was also named Journalist of the Year by the National Association of Black Journalists. In addition, Hunter-Gault has won two National News and Documentary Emmys, the Sidney Hillman Award for her six-part series Out of Reach: People at the Bottom, and the American Women in Radio and Television Award, among others.
    Partner:
    Harvard Du Bois Institute
  • Wole Soyinka reads from his book Samarkand & Other Markets I Have Known. In 1986, Soyinka became the first African to be awarded the Nobel Prize in literature. In plays, novels, and poems, he has chronicled the political turmoil of his native Nigeria. At the same time that he has painted a vivid portrait of Nigeria under and after colonial rule, he has also addressed the wider question of the persistence of humanity in the face of cruelty, intolerance, and outrage. His writing displays the influences of both modern European writing and traditional Yoruba mythology. Soyinka's writing spans genre and also tone, with his work ranging from satiric comedy to serious philosophy. Among his notable publications are the play *Death and the King's Horseman* (1975), the collection of literary essays *Myth, Literature, and the African World* (1975), the autobiographical *Ake: The Years of Childhood* (1981), and a series of Du Bois Institute lectures *The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis* (1997). Most recently, he has published a collection of poetry written during a period of exile from Nigeria entitled *Samarkand and Other Markets I Have Known *(2003). Soyinka was born in 1934 in Abeokuta, near Ibadan in western Nigeria. His father was headmaster of the Anglican mission school in the village of AkŽ, and it was here that Soyinka received his first education. He writes of his childhood experiences in the autobiographical *AkŽ* (1981), in which he recounts the juxtaposition of his early Christian training and his schooling in traditional Yoruba beliefs and practices. He went on to university studies at the Government College in Ibadan and then at the University of Leeds, from which he earned a doctorate in 1973. From the 1960s on, Soyinka has taught drama and literature at universities in Ibadan, Lagos, and Ife and in a number of visiting professorships in Europe and the United States, at institutions including Cambridge and Yale. He is the Robert W. Woodruff Professor of the Arts at Emory University, in Atlanta, and has been a fellow of the W.E.B. DuBois Institute at Harvard University. In 1999, Soyinka was named the first distinguished scholar-in-residence by New York University's Africana Studies Program and the Institute of African-American Affairs.
    Partner:
    Harvard Du Bois Institute
  • Award-winning Haitian-American author Edwidge Danticat discusses her reflection on art and exile, *Create Dangerously: The Immigrant Artist at Work*. Danticat is introduced by Harvard Professor Henry Louis Gates, Jr. What does it mean to be an immigrant artist, especially in relation to one’s country of origin? When that country is suffering–-from violence, poverty, oppression, or disaster–-how does the artists’ responsibility change?
    Partner:
    Harvard Du Bois Institute