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Boston College

Boston College is a coeducational university with undergraduate and graduate students hailing from every state and more than 95 countries. Founded in 1863, it is one of the oldest Jesuit, Catholic universities in the United States.

Since its founding in 1957, the Lowell Humanities Series has brought distinguished writers, artists, performers, and scholars to Boston College. Follow the series on Twitter at @BCLowellHS .

http://www.bc.edu

  • Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade, which won the Colorado Book Award. She is also the author of the essay collections Soil: The Story of a Black Mother’s Garden and Guidebook to Relative Strangers: Journeys into Race, Motherhood and History, a finalist for the National Book Critics Circle Award. Dungy has also edited anthologies including Black Nature: Four Centuries of African American Nature Poetry and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great. A 2019 Guggenheim Fellow, her honors include NEA Fellowships in poetry (2003) and prose (2018), an American Book Award, two NAACP Image Award nominations, and two Hurston/Wright Legacy Award nominations. Dungy’s poems have been published in Best American Poetry, The 100 Best African American Poems, the Pushcart Anthology, Best American Travel Writing, and over thirty other anthologies. She is University Distinguished Professor at Colorado State University.

    Cosponsored by the Boston College Poetry Days Series, American Studies Program, and English Department.
    Partner:
    Boston College
  • Rita Duffy was born in Belfast and graduated with an honorary BA and MA in Fine Art from the University of Ulster in 1985. One of Ireland's groundbreaking visual artists, she has produced acclaimed public art projects, including her early project Thaw, inspired by the Belfast ship Titanic. This post-conflict project explored Belfast’s relationship with the iceberg and aimed to connect local experiences of colonialism and sectarianism with a universal climate crisis. In 2011, she was awarded a Leverhulme Fellowship to work at the Transitional Justice Institute, University of Ulster. She was recognized for her contribution to visual arts in Ireland in 2018 and elected to Aosdana, Ireland’s elected “people of the arts.” She was made an Honorary Member of the Royal Society of Architects and was an associate at Goldsmiths, University of London, where she looked at the role of art in post-conflict societies. In 2024, she was appointed the Charlotte Maxeke-Mary Robinson Irish South Africa Research Chair at the University of the Western Cape in South Africa.

    Her recent projects include The Shirt Factory Project, The Souvenir Shop, Soften the Border, and The Raft. She has held residencies at the Long Room Hub at Trinity College in Dublin and the Irish Museum of Modern Art. Duffy’s work is held in museum and private collections worldwide and her public art projects continue to grow in scale and ambition, exploring issues of female identity, history and politics, and borders.

    Produced by Boston College Lowell Humanities Series, cosponsored by Irish Studies at Boston College and the Art, Art History, and Film Department.
    Partner:
    Boston College
  • Bill Rauch is the inaugural Artistic Director of The Perelman Center for the Performing Arts (PAC NYC) at the World Trade Center. His work has been featured on Broadway in the Tony Award-winning production of Robert Schenkkan’s “All The Way” and its companion play “The Great Society,” as well as at many of the largest regional theaters in the country.

    From 2007 to 2019, Bill was Artistic Director of the Oregon Shakespeare Festival, the country’s oldest and largest rotating repertory theater, where he directed seven world premieres as well as innovative productions of classic musicals, including a queer reenvisioning of “Oklahoma!” Among his initiatives at OSF, he committed to commissioning new plays that dramatized moments of change in American history. “American Revolutions: the United States History Cycle” resulted in such plays as Lynn Nottage’s “Sweat” (winner of the 2017 Pulitzer Prize), Paula Vogel’s “Indecent,” the 1491s’ “Between Two Knees,” Lisa Loomer’s “Roe,” Universes’ “Party People,” Culture Clash’s “American Night,” and Robert Schenkkan’s plays about Lyndon B. Johnson.

    Bill is also co-founder of Cornerstone Theater Company, where he served as artistic director from 1986 to 2006, directing more than 40 productions, most of them collaborations with diverse communities nationwide. He has directed world premieres at Portland Center Stage, Center Theater Group, and South Coast Rep, as well as at American Repertory Theater, Yale Rep, the Guthrie, Arena Stage, Seattle Rep, Long Wharf Theatre, Berkeley Rep, Pasadena Playhouse, and Great Lakes Theater Festival. His production of “The Pirates of Penzance” performed at Portland Opera. He was a Claire Trevor Professor at the University of California Irvine and has also taught at the University of Southern California and UCLA.

    Cosponsored by the Boston College Theatre Department, English Department, and the Clough Center for the Study of Constitutional Democracy.
    Partner:
    Boston College
  • Ada Ferrer is the author of the Pulitzer Prize-winning Cuba: An American History. The book chronicles more than five hundred years of Cuban history and its relations with the United States. She is also the author of Insurgent Cuba: Race, Nation, and Revolution, 1868–1898, which won the Berkshire Book Prize for the best first book by a woman in any field of history, and Freedom’s Mirror: Cuba and Haiti in the Age of Revolution, which won the Frederick Douglass Book Prize from the Gilder Lehrman Center at Yale University as well as the Frederick Katz, Wesley Logan, and James A. Rawley prizes from the American Historical Association. Her essay “My Brother’s Keeper,” published by The New Yorker, tells the story of her and her family’s relationship with the Cuban Revolution. In her lectures and keynote talks, Ferrer discusses Cuba’s past and its complex ties with the United States, giving audiences unexpected insights into the history of both countries and helping them to imagine a new relationship with Cuba.

    Cosponsored by the Boston College History Department, Romance Languages and Literatures Department, the Heinz Bluhm Memorial Lecture Series, and the McMullen Museum of Art.
    Partner:
    Boston College
  • James Alison is a Catholic theologian, priest, and author who has written on issues of polarization, reconciliation, and LGBTQ people. He has studied, lived and worked in Mexico, Brazil, Bolivia, Chile, Spain, the United States, and his native England. He earned his doctorate in theology from the Jesuit Faculty in Belo Horizonte, Brazil in 1994 and is a systematic theologian by training. He is the author of several books, including Knowing Jesus, Raising Abel, The Joy of Being Wrong, Faith Beyond Resentment: Fragments Catholic and Gay, On Being Liked, Undergoing God, Broken Hearts and New Creations: Intimations of a Great Reversal. His most recent book, Jesus the Forgiving Victim: Listening for the Unheard Voice, follows the insight into desire from French thinker René Girard. He serves as a Fellow and Chair of the Education Committee at IMITATIO, an organization focusing on René Girard’s insights into mimetic desire.

    Cosponsored by the Boston College Theology Department.
    Partner:
    Boston College
  • Roya Hakakian is an Iranian-American writer, journalist, and public speaker. Her opinion columns, essays, and book reviews appear in leading English language publications including The New York Times, The New York Review of Books and The Atlantic. A founding member of the Iran Human Rights Documentation Center, she has spoken on a variety of news outlets, from CNN’s Fareed Zakaria GPS to MSNBC, as well as in Washington D.C. for the Senate Foreign Affairs Committee and the State Department with U.S. Secretary Antony Blinken. Her latest book A Beginner’s Guide to America: For the Immigrant and the Curious has been called a contemporary Tocquevlllian account by The Wall Street Journal and The Boston Globe.
    She is a recipient of the Guggenheim Fellowship among many other prizes and has been called one of “the most important activists, academics and journalists of her generation.”

    Cosponsored by the Boston College International Studies Program, Islamic Civilization and Societies Program, and with the support of an ILA Major Grant.

    Partner:
    Boston College
  • Fintan O’Toole, one of Ireland’s leading public intellectuals, is a columnist for The Irish Times and Leonard L. Milberg ’53 visiting lecturer in Irish Letters at Princeton University. He also contributes to The New York Review of Books, The New Yorker, Granta, The Guardian, The Observer, and other international publications. His books on theater include works on William Shakespeare, George Bernard Shaw, Richard Brinsley Sheridan, and Thomas Murphy. His books on politics include the bestsellers We Don’t Know Ourselves: A Personal History of Modern Ireland; Heroic Failure: Brexit and the Politics of Pain; Ship of Fools; and Enough is Enough. In 2011, The Observer named O’Toole one of “Britain’s top 300 intellectuals.” He has received the A.T. Cross Award for Supreme Contribution to Irish Journalism, the Millennium Social Inclusion Award, the Journalist of the Year award from TV3 Studios in 2010, the Orwell Prize, the European Press Prize, and he was elected to the American Academy of Arts and Sciences in the spring of 2023. In 2021, he published the #1 bestseller We Don't Know Ourselves: A Personal History of Modern Ireland, which won the Book of the Year Award at the Irish Book Awards and was selected for the New York Times's “10 Best Books of 2022.” O’Toole’s History of Ireland in 100 Objects, which covers 100 highly charged artifacts from the last 10,000 years, is currently the basis for Ireland’s postage stamps. He has recently been appointed official biographer of Nobel Prize-winning poet Seamus Heaney.

    This Lowell lecture will herald the opening of Seamus Heaney’s Afterlives, Boston College’s international symposium marking the tenth anniversary of the poet’s death.

    Cosponsored by the Boston College Irish Studies Program and with the support of an ILA Major Grant.
    Partner:
    Boston College
  • Kate Brown is the Thomas M. Siebel Distinguished Professor in the History of Science at the Massachusetts Institute of Technology. She is the author of several prize-winning histories, including Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters (Oxford 2013). Her latest book Manual for Survival: A Chernobyl Guide to the Future (Norton 2019), translated into six languages, won the Marshall Shulman and Reginald Zelnik Prizes for the best book in East European History, plus the Silver Medal for Laura Shannon Book Prize. Manual for Survival was also a finalist for the 2020 National Book Critics Circle Award, the Pushkin House Award and the Ryszard Kapuściński Award for Literary Reportage.

    This talk is part of the Boston College Lowell Humanities Series and is cosponsored by the Boston College History Department and The Schiller Institute for Integrated Science and Society.
    Partner:
    Boston College
  • Dipesh Chakrabarty holds a BSc degree from Presidency College, University of Calcutta, a postgraduate Diploma in management from the Indian Institute of Management, Calcutta, and a PhD in History from the Australian National University. He is the Lawrence A. Kimpton Distinguished Service Professor in History, South Asian Languages and Civilizations. He is the Faculty Director of the University of Chicago Center in Delhi, a faculty fellow of the Chicago Center for Contemporary Theory, an associate of the Department of English, and by courtesy, a faculty member in the Law School. His publications include several monographs and many articles including Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton, 2000; 2008); The Climate of History in a Planetary Age (Chicago, 2021); and One Planet, Many Worlds (Brandeis, forthcoming 2023). He is a founding member of the editorial collective of Subaltern Studies, a consulting editor of Critical Inquiry, a founding editor of Postcolonial Studies and has served on the editorial boards of the American Historical Review and Public Culture. He was one of the founding editors of the series South Asia Across the Disciplines. He served on the Board of Experts for non-Western art for the Humboldt Forum in Berlin and was a member of the Scientific Advisory Board to the Center for Global Cooperation Research (Bonn and Essen) for a few years from 2012. He is also an Associate in the Faculty of Arts and Social Sciences at the University of Technology, Sydney, 2018-2022. Chakrabarty is the recipient of the 2014 Toynbee Foundation Prize for his contributions to global history and of the 2019 Tagore Memorial Prize awarded by the Government of West Bengal for his book The Crises of Civilization. He was awarded the degree of DLitt (Honoris Causa) by the University of London (conferred at Goldsmiths) in 2010 and an honorary doctorate by the University of Antwerp, Belgium, in 2011. He was awarded the Distinguished Alumnus Award by the Indian Institute of Management (IIM), Calcutta (conferred on the occasion of the fiftieth anniversary of the Institute in 2011). He was elected an honorary fellow of the Australian Academy of the Humanities in 2006 and a fellow of the American Academy of Arts and Sciences in 2004.   Co-sponsored by The Park Street Corporation Speaker Series.
    Partner:
    Boston College
  • Kim Stanley Robinson is an American science fiction writer. He is the author of more than twenty books, including the international bestselling Mars trilogy, and more recently New York 2140, Aurora, Shaman, Green Earth, and 2312, which was a New York Times bestseller nominated for all seven of the major science fiction awards—a first for any book. He was sent to the Antarctic by the U.S. National Science Foundation’s Antarctic Artists and Writers’ Program in 1995 and returned in their Antarctic media program in 2016. In 2008 he was named a “Hero of the Environment” by Time magazine, and he works with the Sierra Nevada Research Institute, the Clarion Writers’ Workshop, and UC San Diego’s Arthur C. Clarke Center for Human Imagination. His work has been translated into 25 languages, and won a dozen awards in five countries, including the Hugo, Nebula, Locus, and World Fantasy awards. In 2016 he was given the Heinlein Award for lifetime achievement in science fiction, and asteroid 72432 was named “Kimrobinson.” In 2017, he was given the Arthur C. Clarke Award for Imagination in Service to Society. A prolific writer and speaker, his work has appeared in The New York Times, The Washington Post, Newsweek, Nature, and Wired, among many others, and he has lectured at more than one hundred institutions over the last 25 years. His novel, The Ministry for the Future, was selected as one of Barack Obama’s Favorite Books of 2020. His most recent book, The High Sierra: A Love Story (May 2022) is a non-fiction exploration of Robinson’s years spent hiking and camping in the Sierra Nevada mountains, one of the most compelling places on Earth. Cosponsored by the Boston College Schiller Institute for Integrated Science and Society, Department of Earth and Environmental Sciences, Environmental Studies Program, the Lynch School's Center for Psychological Humanities and Ethics, and English Department ### Resources [INTERVIEW - The New York Times: Ezra Klein Interviews Kim Stanley Robinson (transcript and podcast) ](https://www.nytimes.com/2022/07/15/podcasts/transcript-ezra-klein-interviews-kim-stanley-robinson.html) [REVIEW: The Guardian: The Ministry for the Future by Kim Stanley Robinson review – how to solve the climate crisis ](https://www.theguardian.com/books/2020/nov/20/the-ministry-for-the-future-by-kim-stanley-robinson-review-how-to-solve-the-climate-crisis) [OP ED/ PUBLIC WRITTING: Bostonia: Kim Stanley Robinson on the Importance of Imagination ](https://www.bu.edu/articles/2022/kim-stanley-robinson-the-importance-of-imagination/) [EXCERPT : EW: Sustainability is possible in this excerpt from climate change novel The Ministry for the Future]( https://ew.com/books/the-ministry-for-the-future-chapter-excerpt/)
    Partner:
    Boston College