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Free online lectures: Explore a world of ideas

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ArtsEmerson

ArtsEmerson is the professional presenting and producing organization at Emerson College, and its mission is to bring people together to experience powerful performances that delight, provoke, and inspire, celebrating both our differences and common humanity. Founded in 2010 by Robert J. Orchard — the year the U.S. Census confirmed there was no single cultural majority in Boston — ArtsEmerson is committed to building a cultural institution that reflects the diversity of our city. Our imaginative and globe-spanning live and virtual performances, films, and conversations invites each of us to be part of a Boston that is more creative, equitable, and connected. ArtsEmerson is led by Interim Executive Director of the Office of the Arts & ArtsEmerson Director of Artistic Programming, Ronee Penoi. For more information, visit artsemerson.org.

  • In Person
    Over the past thirty years, we’ve collectively seen a push for greater accessibility options in the arts such as (but not limited to) ASL interpreters, open captioning, audio descriptions, autism and sensory friendly performances, and veterans’ theater going programs.

    Likewise, artists breaking the mold are getting their overdue spotlight. Not only have companies like Deaf West taken mainstream theater by storm and become household names, but last year’s Broadway shows showcased a more inclusive slate of talent: The Cost of Living starred Katy Sullivan, Paralympic athlete and amputee, and Gregg Mozgala, who is diagnosed with Cerebral Palsy; Camelot featured Anthony Michael Lopez, who wears a prosthetic leg and Marilee Talkington who is legally blind; In A Doll's House, Michael Patrick Thornton, a wheelchair user, played Dr. Rank.

    How do we continue to move the needle to ensure that everyone can access the show and that the material we enjoy reflects humanity as whole - with a wide variety of abilities and differences? In this conversation, we’ll explore both the content and function of representation and accessibility. What does inclusive performance look like, and how do we get there?

    Join Director of Artistic Programming Ronee Penoi, noted bassist and host of the podcast, “Blind? So What?” Ciara Moser, audio describer, performer, and leader in the Spina Bifida community Cori Couture, groundbreaking founder and Executive Director of Abilities Dance Ellice Patterson, and managing director of Open Door Arts, Nicole Agois Hurel for this timely panel discussion.
    Partner:
    ArtsEmerson
  • Mask work and puppetry have long been used as instruments for storytelling, both theatrically and therapeutically. The inanimate objects are vessels to be endowed with power, stemming from imagination, creativity, and memory. What drives us to utilize puppets and masks to tell stories of our origins, of our struggles, of our hardships? How do these objects give us permission to interact in unexpected ways and explore topics that might be considered taboo? How does interacting with a puppet or a mask change the performer? Or the audience? We’ve been leaning on these objects since prehistoric times to tell our stories and reenact our rituals. How do we use puppets and masks today?

    Join Ronee Penoi and Professor Felice Amato, Dr. Jason Butler, and director Veronica Barron to explore the history and contemporary use of puppets and masks in ritual, performance, and therapies and learn how these vehicles unlock difficult topics.

    About The Point
    At ArtsEmerson, the art is the provocation; conversation is the point. The Point is a conversation series that invites audiences to explore big questions in intimate settings. Hosted by a member of the ArtsEmerson team, local and national luminaries will offer their points of view on the urgent questions surfaced by the artists on our stages.
    Partner:
    ArtsEmerson