From funk to gospel to soul, Sly Stone captured the beauty and chaos of the human experience
Sly Stone’s radical joy, music and message live on in a time that still needs it.
Sign up for GBH newsletters
GBH offers several newsletters focused on the topics that matter to you.
Culture in the News
Omar Thomas on making “Griot Songs” at GBH
Omar Thomas is a large ensemble composer who’s had work commissioned by Eastman New Jazz Ensemble, the Boston Gay Men’s Chorus, and the Colorado Symphony Orchestra. His newest album, “Griot Songs,” was recorded entirely in the GBH Fraser Performance Studio. He spoke to Al Davis and Va Lynda Robinson about the process.
-
When The Giants Of Indian Classical Music Collided With Psychedelic San Francisco
In May of 1970, at a San Francisco concert venue best known for reverberating with the sounds of the Grateful Dead and Jefferson Airplane, three masters… -
Even In Isolation, Rhye Makes Music For Us To Come Together
Home: It's where a lot of us have been spending our time since March 2020. For Mike Milosh, leader of the R&B music collective Rhye, the word has taken on… -
Let HBO's 'Painting With John' Gouache Over You
"Bob Ross was wrong," grumbles musician/actor John Lurie, in a voice grown so gravelly it's like listening to a rock tumbler. It's late at night, he's…
GBH Music
More Culture Programs
-
Rewind & Play | Promo
This film reveals the disrespect jazz luminary Thelonious Monk endured. -
Renée Fleming performs "Funny How Dreams Have a Way"
Renée Fleming performs as Clarissa Vaughan in "The Hours."| 1:12 -
Kelli O'Hara & Joyce DiDonato sing "How is it possible?"
Kelli O'Hara and Joyce DiDonato perform "How is it possible?" from "The Hours."| 1:43 -
Renée Fleming, Kelli O’Hara, & Joyce DiDonato Perform a Trio
Renée Fleming, Kelli O’Hara, and Joyce DiDonato perform the final trio from "The Hours."| 1:26
