From funk to gospel to soul, Sly Stone captured the beauty and chaos of the human experience
Sly Stone’s radical joy, music and message live on in a time that still needs it.
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Culture in the News
Omar Thomas on making “Griot Songs” at GBH
Omar Thomas is a large ensemble composer who’s had work commissioned by Eastman New Jazz Ensemble, the Boston Gay Men’s Chorus, and the Colorado Symphony Orchestra. His newest album, “Griot Songs,” was recorded entirely in the GBH Fraser Performance Studio. He spoke to Al Davis and Va Lynda Robinson about the process.
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Showdown, The Caribbean Answer To Verzuz, Is Part Of A Long-Running Musical Exchange
In the early days of the pandemic, hip-hop producers Swizz Beats and Timbaland created a music industry monster: Verzuz, a live-on-Instagram music battle… -
13,140,000 Minutes: It's Been 25 Years Since The First Performance Of 'Rent'
On Jan. 25, 1996, a new rock musical by a little-known writer, Jonathan Larson, gave its first performance. Friends and family filed into a small… -
When The Giants Of Indian Classical Music Collided With Psychedelic San Francisco
In May of 1970, at a San Francisco concert venue best known for reverberating with the sounds of the Grateful Dead and Jefferson Airplane, three masters…
GBH Music
More Culture Programs
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Rewind & Play | Promo
This film reveals the disrespect jazz luminary Thelonious Monk endured. -
Renée Fleming performs "Funny How Dreams Have a Way"
Renée Fleming performs as Clarissa Vaughan in "The Hours."| 1:12 -
Kelli O'Hara & Joyce DiDonato sing "How is it possible?"
Kelli O'Hara and Joyce DiDonato perform "How is it possible?" from "The Hours."| 1:43 -
Renée Fleming, Kelli O’Hara, & Joyce DiDonato Perform a Trio
Renée Fleming, Kelli O’Hara, and Joyce DiDonato perform the final trio from "The Hours."| 1:26
