From funk to gospel to soul, Sly Stone captured the beauty and chaos of the human experience
Sly Stone’s radical joy, music and message live on in a time that still needs it.
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Culture in the News
Omar Thomas on making “Griot Songs” at GBH
Omar Thomas is a large ensemble composer who’s had work commissioned by Eastman New Jazz Ensemble, the Boston Gay Men’s Chorus, and the Colorado Symphony Orchestra. His newest album, “Griot Songs,” was recorded entirely in the GBH Fraser Performance Studio. He spoke to Al Davis and Va Lynda Robinson about the process.
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Arts This Week: 'Hatched,' 'BB@yourhome' and Steve Koppel
This week, the Hatch Shell comes alive, Boston Ballet brings us something old and something new, and Jared tells us about Expressive Digital Imagery as conceived by photographer Steve Koppel. -
Madlib Heads Back To The Future On 'Sound Ancestors'
Sometimes, rumors are all we have to go by. The one about a new Madlib record, Sound Ancestors, started in late October: The British producer Kieran… -
With Power, Poise And Confidence, These 'Women R Beautiful'
"Mister! Mister!" she yelled. "Take my photo!"A demand, not a request. Mama had spotted the three cameras hanging from straps around Ruben Natal-San…
GBH Music
More Culture Programs
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Rewind & Play | Promo
This film reveals the disrespect jazz luminary Thelonious Monk endured. -
Renée Fleming performs "Funny How Dreams Have a Way"
Renée Fleming performs as Clarissa Vaughan in "The Hours."| 1:12 -
Kelli O'Hara & Joyce DiDonato sing "How is it possible?"
Kelli O'Hara and Joyce DiDonato perform "How is it possible?" from "The Hours."| 1:43 -
Renée Fleming, Kelli O’Hara, & Joyce DiDonato Perform a Trio
Renée Fleming, Kelli O’Hara, and Joyce DiDonato perform the final trio from "The Hours."| 1:26
