What’s it like to play chamber music? A feeling of ‘pure expression.’
The Concord Chamber Music Society’s new co-artistic directors share the “transformative power” of chamber music ahead of the group’s 25th season.
More Performing Arts
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One-man show merges mental health, religion and the golden age of hip-hop
Based on his award-winning film, Daniel Callahan's 80-minute one-man show delves even further into his journey into manhood as a Black man in Boston. -
Bill Rauch: “Adaptation: A Lifetime of Building Bridges”
Bill Rauch is the inaugural Artistic Director of The Perelman Center for the Performing Arts (PAC NYC) at the World Trade Center. His work has been featured on Broadway in the Tony Award-winning production of Robert Schenkkan’s “All The Way” and its companion play “The Great Society,” as well as at many of the largest regional theaters in the country.
From 2007 to 2019, Bill was Artistic Director of the Oregon Shakespeare Festival, the country’s oldest and largest rotating repertory theater, where he directed seven world premieres as well as innovative productions of classic musicals, including a queer reenvisioning of “Oklahoma!” Among his initiatives at OSF, he committed to commissioning new plays that dramatized moments of change in American history. “American Revolutions: the United States History Cycle” resulted in such plays as Lynn Nottage’s “Sweat” (winner of the 2017 Pulitzer Prize), Paula Vogel’s “Indecent,” the 1491s’ “Between Two Knees,” Lisa Loomer’s “Roe,” Universes’ “Party People,” Culture Clash’s “American Night,” and Robert Schenkkan’s plays about Lyndon B. Johnson.
Bill is also co-founder of Cornerstone Theater Company, where he served as artistic director from 1986 to 2006, directing more than 40 productions, most of them collaborations with diverse communities nationwide. He has directed world premieres at Portland Center Stage, Center Theater Group, and South Coast Rep, as well as at American Repertory Theater, Yale Rep, the Guthrie, Arena Stage, Seattle Rep, Long Wharf Theatre, Berkeley Rep, Pasadena Playhouse, and Great Lakes Theater Festival. His production of “The Pirates of Penzance” performed at Portland Opera. He was a Claire Trevor Professor at the University of California Irvine and has also taught at the University of Southern California and UCLA.
Cosponsored by the Boston College Theatre Department, English Department, and the Clough Center for the Study of Constitutional Democracy.Partner:Boston College -
'The Culture Show' breaks down Boston's spring theater season
On today's show, host Jared Bowen is joined by Joyce Kulhawik and Chris Ehlers for another edition of "Balancing Acts." Then, artist Miguel Braceli talks about his residency project in Provincetown. -
In 'Cost of Living' disabled voices take center stage
Actors Stephanie Gould and Sean Leviashvili join The Culture Show to talk about the importance of casting disabled actors to talk about experiences with disability. -
Naheem Garcia on bringing August Wilson to a Boston stage
The actor joins The Culture Show to talk about "King Hedley II," in which he plays Elmore, currently presented by the Actors' Shakespeare Project. Then, live music at City Hall and the merits of simulcasting opera performances. -
Exploring 'Wagner as a Bridge' with opera singer Katherine Goforth
The tenor opera singer joins The Culture Show ahead of her performance with the Boston Wagner Society -
'The Minutes' dissects the horrors at the heart of local government
“The Minutes” is now onstage at The Umbrella Arts Center in Concord and helmed by Eliott Norton-prize winning director Scott Edmiston. Edmiston joins us to talk about the play, both a satirical take on municipal government and a scathing critique of American hypocrisy. -
At The Porch, Black artists have a communal stage to tell nuanced stories
Prior to the Front Porch Arts Collective's founding, Boston was without a professional Black theater company. -
Audra McDonald gears up for her return to Boston
The actor and performer joins The Culture Show to talk with host Jared Bowen about her career. Then, Igor Golyak discusses the latest play he's staging with the Arlekin Players, and the Grand Kyiv Ballet stops by. -
Boston's ECO is in the 'fiery furnace of a murderous world'
The Engima Chamber Opera's artistic director, Kirsten Cairns, says this Britten production is especially timely.
